17세기 승려 풍계 명찰(楓溪明察)의 시세계 연구

Abstract

Punggye Myeongchal (楓溪明察, 1640-1708), a 17th-century monk, was a Buddhist monk who married at the age of 13 and was based on Haeinsa Temple (海印寺) in Gayasan Mountain (伽倻山), Hapcheon (陜川). Although he is a monk, he left many poems due to his great literary interest, and he actively interacted with not only nearby yuja but also with central officials in Seoul, centering on the Hapcheon area where Punggye lived. The fact that Punggye was deeply interested and well-versed in literary fields can also be seen through the composition of his collection of writings 『Punggyejip (楓溪集)』. 『Punggyejip』 consists of three volumes, one book, upper, middle, and lower, and the commercial district contains Suchangsi (酬唱詩) exchanged with various people, the middle volume contains Gihaengsi (紀行詩), which was built after touring the country, and the lower volume contains prose focusing on the temple's Sangryangmun (上樑文) and Jungchanggi (重創記). Accordingly, Poonggye's poetry was divided into “Suchang-si”, “Japche-si (雜體詩)” and “Gihaeng-si” and this article tried to examine the pattern of Punggye's interaction through “Suchang-si,” and to examine Punggye's direction of life and interest in literature through “Japche-si.” First of all, looking at the relationship between Punggye, it seems that Confucian scholars and officials were more active than monks who were the same Buddhists. It is expanding the area of friendship to the vicinity, centering on Hapcheon, his residential area, and exchanges with major figures in Seoul are also achieved. The active interaction with Yuga characters showed the appearance of Punggye as a poet, and the interest in literature and the recognition and connection of Yuga characters in his literary world seem to have been an important point for Punggye, and it actually had a significant impact on forming his literary world. It is also an important phase of the Punggye poetry world that leaves a large number of miscellaneous poems, a form of literary works that were popular at the time. In particular, the water-shaped poet “Suseumun (水勢文)” the flame- shaped poem “Hwayeommun (火焰文)”, the horrid bottle-shaped poem “Hyeongi- horojiche (玄機葫蘆之體)” and the flower-shaped poem “Geumjeonhwaji (金錢花枝)” have been misinterpreted due to their morphological specificity and lack of confirmation of nuclear power plants. Accordingly, this article attempted to accurately translate and analyze the poem by checking the source of the original text, and as a result, it was possible to find the direction of life to live satisfactorily in nature without greed in Japche-si, also found a hidden desire to live as a monk but a poet.