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Curriculum Disciplinarity in Early Childhood Emergent Curriculum

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William Pinar has posed a challenge to advance curriculum studies as discipline through the introduction of curriculum diciplinarity. This has implications for the way new scholars in the field of curriculum studies should be prepared in order to make future contributions in curriculum studies. Based on the concepts of curriculum disciplinarity—verticality, horizontality, and diagonality—in this study I explored curriculum scholars who employed the arts to understand curriculum, and identified my interpretations—pedagogical documentation for diagonality in early childhood education. The study is critical in that it attempts to interpret emergent curriculum from an artistic perspective.

Abstract

William Pinar has posed a challenge to advance curriculum studies as discipline through the introduction of curriculum diciplinarity. This has implications for the way new scholars in the field of curriculum studies should be prepared in order to make future contributions in curriculum studies. Based on the concepts of curriculum disciplinarity—verticality, horizontality, and diagonality—in this study I explored curriculum scholars who employed the arts to understand curriculum, and identified my interpretations—pedagogical documentation for diagonality in early childhood education. The study is critical in that it attempts to interpret emergent curriculum from an artistic perspective.

참고문헌 (23)

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  3. Dewey, J., "Art as experience" (1934), Minton Balch
  4. Edwards, C., "The hundred languages of children: The Reggio Emilia approach—Advanced reflections", pp.179~198 (1998), Ablex
  5. Fu, V. R., "Teaching and learning: Collaborative exploration of the Reggio Emilia approach", pp.23~36 (2002), Merrill
  6. Greene, M., "Curriculum and consciousness", Teachers College Record, 73(2), pp.253~269 (1971)
  7. Greene, M., "The artistic–aesthetic and curriculum", Curriculum Inquiry, 6(4), pp.283~296 (1977)
  8. Greene, M., "The dialectic of freedom" (1988), Teachers College Press
  9. Greene, M., "Reflections from the heart of educational inquiry: Understanding curriculum and teaching through the arts", pp.107~122 (1991), State University of New York Press
  10. Greene, M., "Releasing the imagination : Essays on education, the arts, and social change" (1995), Jossesy-Bass
  11. Greene, M., "Contemporary issues in curriculum", pp.32~50 (2007), Pearson
  12. Henderson, J., "Curriculum work at the intersection of pragmatic inquiry, deliberation, and fidelity", Educational Research, 38(2), pp.132~136 (2009)
  13. r, "A", pp.Pacific Educational Press, tography: Rendering self through arts-based living inquiry
  14. r, "A", pp.Pacific Educational Press, tography : Rendering self through arts-based living inquiry
  15. Jones, E., "Emergent curriculum" (1994), National Association for the Education of Young Children
  16. National Association for the Education of Young Children, "Guidelines for appropriate curriculum content and assessment in programs serving children ages 3 through 8", Young Children, 46(1), pp.21~38 (1991)
  17. Oh, M., "The diary of Laura: Perspectives on a Reggio Emilia diary", pp.97~106 (2009), Redleaf Press
  18. Pinar, W. F., "Understanding curriculum" (2006), Lang
  19. Pinar, W. F., "Intellectual advancement through disciplinarity : Verticality and horizontality in curriculum studies" (2007), Sense
  20. Read, H., "Education through art" (1943), Faber and Faber
  21. Rinaldi, C., "The hundred languages of children: The Reggio Emilia approach—Advanced reflections", pp.113~126 (1998), Ablex
  22. Rinaldi, C., "In dialogue with Reggio Emilia : Listening, researching and learning" (2006), Routledge
  23. Stacy, S., "Emergent curriculum in early childhood setting : From theory to practice" (2009), Redleaf Press

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