『두자, 피쉬, 스타스와 비』에 나타난 여성주의 연극 기법
“Feminist Theatrical Apparatus in Dusa, Fish, Stas and Vi”
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This thesis aims to present the theatrical apparatus in Dusa, Fish, Stas and Vi by Pam Gems, which are used to show the problems of socialist feminists and difficulties of women playwrights. Theatrical apparatus generally reveal the values and purposes of what they show and even veil the fixed ideology in a society. This work covers not only the problems of women's and women playwrights' but the problems of theatre system. The key character Fish, who is a socialist activist of upper-middle classes, shows elite women' discrepancy and the problems of Bourgeois feminism. Gems uses the method of anti-Aristotle theatre, which stops audience from absorption in the drama. This dramatic strategy contributes for audience to see her conflicts and expects the result. This drama also uses other Brechtian methods in order to reveal the obstacles of male-centered theatrical system toward women playwrights. Gems insists that women need feminist theatres because art is necessary for women and the creative energy and subversive power which women playwrights have is the possibilities of the equal society for women.
Abstract
This thesis aims to present the theatrical apparatus in Dusa, Fish, Stas and Vi by Pam Gems, which are used to show the problems of socialist feminists and difficulties of women playwrights. Theatrical apparatus generally reveal the values and purposes of what they show and even veil the fixed ideology in a society. This work covers not only the problems of women's and women playwrights' but the problems of theatre system. The key character Fish, who is a socialist activist of upper-middle classes, shows elite women' discrepancy and the problems of Bourgeois feminism. Gems uses the method of anti-Aristotle theatre, which stops audience from absorption in the drama. This dramatic strategy contributes for audience to see her conflicts and expects the result. This drama also uses other Brechtian methods in order to reveal the obstacles of male-centered theatrical system toward women playwrights. Gems insists that women need feminist theatres because art is necessary for women and the creative energy and subversive power which women playwrights have is the possibilities of the equal society for women.
참고문헌 (8)
- Aston, Elaine, "Modern British Women Playwrights" (2000), Cambridge UP
- Aston, Elaine, "An Introduction to Feminism Theatre" (1995), Routledge
- Goodman, Lizbeth, "Contemporary British Feminist Theatre: To Each Her Own" (1993), Loutledge
- Gems, Pam, "Dusa, Fish, Stas and Vi, In Plays By Women", pp.47~74 (1982), Methuen
- Innes, Christoper, "Modern British Drama 1890-1990", pp.448~459 (1992), Cambridge U.P.
- Keyssar, Helene, "Feminist Theatre" (1985), Grove Press
- Wandor, Michellene, "Women Playwrights and the Challenge of Feminism in the 1970s, In Modern British Women Playwrights", pp.53~67 (2000), Cambridge UP
- Wandor, Michellene, "Post-War British Drama: Looking Back in Gender" (1987), Methuen