Traveling televisual texts: transnational adaptations of “Doctor Foster” into Korea’s “The World of the Married” and the Philippines’ “The Broken Marriage Vow”
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Korean dramas, commonly referred to as Koreanovelas or K-Dramas in the Philippines, have significantly influenced and reshaped Philippine television culture since the early 2000s. Their impact persists in contemporary television programming, reflecting the transnational flow of media texts across borders. As media content transcends geographical boundaries, local media companies have adopted the practice of producing adaptations of foreign television series for their audiences. This paper examines the adaptation of the Koreanovela The World of the Married into the Philippine series The Broken Marriage Vow, both of which are adaptations derived from the British show Doctor Foster. Through this comparative analysis, I argue that the process of localizing these television shows to suit the preferences of the target audience serves as a tangible manifestation of transnational adaptation. Particularly in an era of globalization, where entertainment is still a thriving enterprise, thus traversing international borders, this phenomenon demonstrates the evolving nature of television content as it adapts and caters to diverse cultural contexts let alone a profitable means to generate an ailing entertainment industry, especially in the time of the pandemic.
Abstract
Korean dramas, commonly referred to as Koreanovelas or K-Dramas in the Philippines, have significantly influenced and reshaped Philippine television culture since the early 2000s. Their impact persists in contemporary television programming, reflecting the transnational flow of media texts across borders. As media content transcends geographical boundaries, local media companies have adopted the practice of producing adaptations of foreign television series for their audiences. This paper examines the adaptation of the Koreanovela The World of the Married into the Philippine series The Broken Marriage Vow, both of which are adaptations derived from the British show Doctor Foster. Through this comparative analysis, I argue that the process of localizing these television shows to suit the preferences of the target audience serves as a tangible manifestation of transnational adaptation. Particularly in an era of globalization, where entertainment is still a thriving enterprise, thus traversing international borders, this phenomenon demonstrates the evolving nature of television content as it adapts and caters to diverse cultural contexts let alone a profitable means to generate an ailing entertainment industry, especially in the time of the pandemic.
참고문헌 (30)
- "The Broken Marriage Vow’s Ilustre Home Highlights All Things Local" (2022)[URL]
- Aberin, Janine, "Reading Filipino Remakes: Glocalization of Popular Culture in Filipino Remakes of ‘Koreanovelas", Southeast Asian Media Studies, 3(3), pp.77~104 (2021)
- "How ABS-CBN quickly acquired airing rights of K-Drama The World of a Married Couple" (2020)[URL]
- "How GMA-7's Heart of Asia acquire its Asianovelas" (2021)[URL]
- "Why cochinillo is needed in this trending The Broken Marriage Vow scene" (2022)[URL]
- "The first poster of 'The World of the Married'was released... Fatal and intense 'Kim Hee-ae class'" (2020)[URL]
- Cruz, Arthur Joseph, "Hanoyvela: Filipino (Tagalog) Remake of a Korean TV Drama", CAS Review, 12(1), pp.64~87 (2018)
- DeWitt, Dave, "1,001 Best Hot and Spicy Recipes" (2010), Agate Publishing
- "“Ako si Kim Samsoon” airs pilot episode on June 30" (2008)[URL]
- "Battle of Doctor Foster trailers: The World of the Married vs. The Broken Marriage Vow" (2021)[URL]
- "A Farm-To-Table Delicacy From Spain: Roasted Baby Pig" (2013)[URL]
- Gongora, Marian, "East Asian Popular Culture: Philippine Perspectives", pp.105~142 (2013), UP Asian Center
- "Korean Dramas Continue to Captivate the Philippines" (2009)[URL]
- Igno, Jay-r, "Beyond the “Fad”:Understanding Hallyu in the Philippines", International Journal of Social Science and Humanity, 6(9), pp.723~727 (2016)
- "Doctor Foster remake gets pulses racing in South Korea" (2020)[URL]
- "K-drama review: The World of the Married-Kim Hee-ae shines in masterfully scripted story of infidelity and revenge" (2020)[URL]
- "'The World of the Married' with outstanding psychological descriptions finished the long journey with 28.4%" (2020)[URL]
- "Advanced 'The Broken Marriage Vow' episodes now streaming for free" (2022)[URL]
- Locsin, Ma. Rina, "Relocating Pinikpikan in Baguio City", Plaridel: A Philippine Journal of Communication, Media, and Society, 3(1), pp.69~86 (2006)
- "Sue Ramirez On Her Role In "The Broken Marriage Vow."" (2020)[URL]
- "Jodi Sta. Maria among lead stars in Pinoy adaptation of 'The Broken Marriage Vow.'" (2021)[URL]
- "Four uniquely Pinoy traits in ABS-CBN’s The Broken Marriage Vow" (2022)[URL]
- Sales, Marlon James, "Representations in Retrospect", Plaridel:A Philippine Journal of Communication, Media, and Society, 1(2), pp.49~72 (2004)
- Sanchez, Louie Jon, "Koreanovelas, Teleseryes, and the “Diasporization” of the Filipino", the Philippines, 2014, pp.11(1), 1~20
- Sanchez, Louie Jon, "The Teleserye Story: Three Periods of the Evolution of the Filipino TV Soap Opera", Rupathaka Journal, 14(1), pp.1~16 (2022)
- "TV Ratings (June 30): "Ako Si Kim Samsoon"takes a bite in the ratings game" (2008)[URL]
- Sison-Buban, Raquel, "Meteor Garden Rewind: Analysis of Phenomenon, Style, and Context of Televisual Translation", Kawing, 1(1), pp.26~41 (2022)
- "Where to Cop: Pinoy fashion brands featured in “The Broken Marriage Vow.”" (2022)[URL]
- Wells-Lassagne, Shannon, "Television and Serial Adaptation" (2017), Routledge
- "The Philippines is one of two countries where divorce is illegal, trapping women in marriages" (2018)[URL]