The Aesthetic Value of Demo Competition in KOREAN HAPKIDO
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
This study is aimed to examine about the aesthetic contents that appeared in the Hapkido demo competition from the aesthetic viewpoint. Hence, this study is progressed on the basis of previous researches, books, and publications related to aesthetics concerning chivalry, thereby aiming to logically figure out aesthetic aspect of the Hapkido demo competition. The logical investigation into aesthetic elements of the Hapkido demo competition led to having approached a technical value, artistry, and physical beauty that are seen in the demo competition. Based on this, aesthetic value was tried to be closely examined logically. The following conclusions could be possibly obtained. First, there are many games of the Hapkido demo competition. But most of them are progressed by team. Conquest and harmony of a technical difference between teams are also important at this team-based partial-arts event. But the demonstration of techniques based on three principles of the Hapkido skills is important. What does not damage the body through considering an opponent based on the win-win principle with perfectly controlling the opponent as well in a state of being not lost the center even while switching to all directions in a situation of requiring an attack and a defense even if being the demo competition leads to allowing players and spectators to be capable of perceiving aesthetical contents and experiencing experiential element through a sense of accomplishment caused by satisfaction and high athletic performance. Second, there is also a case that the Hapkido demo competition is finished just in a few seconds from the start to the end. But there is a case as well that is continued for about 5 minutes. A theatrical meaning is contained in demo. Thus, players or spectators can have the artistic experience. As a piece of movie is an outcome according to an effort of a writer and an actor, the wonderful and beautiful demo at the demo competition is a result of an effort that a demo player inspires a soul. Thus, this outcome comes to be recognized to be one genre of arts. Considering this, the Hapkido demo competition can be mentioned to be high in artistic value. Third, a traditional discipline method in Hapkido can be considered to step up the manifestation out of the body through ‘a control of internal breathing' with seeing it as the conformance of the breathing method and the body movement. A Hapkido demo player's strong and soft body well circulates Ki and Hyeol(blood) through a breathing method, promotes emotional balance and stability, reinforces the mind, thereby becoming the foundation of proceeding with being in harmony with mind and body. Hence, a demo player comes to point to the essence of martial arts dubbed Simshinilyeo under the direct connectivity with a human being's life
Abstract
This study is aimed to examine about the aesthetic contents that appeared in the Hapkido demo competition from the aesthetic viewpoint. Hence, this study is progressed on the basis of previous researches, books, and publications related to aesthetics concerning chivalry, thereby aiming to logically figure out aesthetic aspect of the Hapkido demo competition. The logical investigation into aesthetic elements of the Hapkido demo competition led to having approached a technical value, artistry, and physical beauty that are seen in the demo competition. Based on this, aesthetic value was tried to be closely examined logically. The following conclusions could be possibly obtained. First, there are many games of the Hapkido demo competition. But most of them are progressed by team. Conquest and harmony of a technical difference between teams are also important at this team-based partial-arts event. But the demonstration of techniques based on three principles of the Hapkido skills is important. What does not damage the body through considering an opponent based on the win-win principle with perfectly controlling the opponent as well in a state of being not lost the center even while switching to all directions in a situation of requiring an attack and a defense even if being the demo competition leads to allowing players and spectators to be capable of perceiving aesthetical contents and experiencing experiential element through a sense of accomplishment caused by satisfaction and high athletic performance. Second, there is also a case that the Hapkido demo competition is finished just in a few seconds from the start to the end. But there is a case as well that is continued for about 5 minutes. A theatrical meaning is contained in demo. Thus, players or spectators can have the artistic experience. As a piece of movie is an outcome according to an effort of a writer and an actor, the wonderful and beautiful demo at the demo competition is a result of an effort that a demo player inspires a soul. Thus, this outcome comes to be recognized to be one genre of arts. Considering this, the Hapkido demo competition can be mentioned to be high in artistic value. Third, a traditional discipline method in Hapkido can be considered to step up the manifestation out of the body through ‘a control of internal breathing' with seeing it as the conformance of the breathing method and the body movement. A Hapkido demo player's strong and soft body well circulates Ki and Hyeol(blood) through a breathing method, promotes emotional balance and stability, reinforces the mind, thereby becoming the foundation of proceeding with being in harmony with mind and body. Hence, a demo player comes to point to the essence of martial arts dubbed Simshinilyeo under the direct connectivity with a human being's life
참고문헌 (23)
- 전원호, "합기도에서 선수의 심판판정 인식이 심리상태와 경기력에 미치는 영향", 대한무도학회지, 17(1), pp.13~29 (2015), 대한무도학회[DOI]
- 박정환, "한국 합기도 경기규정의 개정방안 연구", 대한무도학회지, 14(1), pp.17~33 (2012), 대한무도학회[DOI]
- 황종대, "한국합기도 術氣의 종류와 형태에 관한 小考", 대한무도학회지, 13(3), pp.17~31 (2011), 대한무도학회[DOI]
- Park JH, "A Suggested Model of The National Game Rule of Hapkido in Korea", 박사, pp.2010
- 황종대, "한국합기도의 구성원리와 術氣에 내재된 철학적 의미", 움직임의 철학 : 한국체육철학회지, 16(2), pp.255~269 (2008), 한국체육철학회
- Lim IH, "An Investigation of Possibilites on Teakwondo’s Aesthetic", The Journal of Korean Alliance of Martial Arts, 13(2), pp.27~38 (2011)
- 정일홍, "경호무도로서 공수도의 미학", 융합보안 논문지, 13(2), pp.67~73 (2013), 한국융합보안학회
- 김창우, "태권도 몸미학", 대한무도학회지, 11(2), pp.41~54 (2009), 대한무도학회[DOI]
- Kim HD, "Taekwondo Asethetics", The Journal of Korean Alliance of Martial Arts, 12(2), pp.43~53 (2010)
- 임일혁, "미학적 관점에서 보는 태권도 겨루기", 움직임의 철학 : 한국체육철학회지, 19(1), pp.33~44 (2011), 한국체육철학회
- 임일혁, "태권도 품새 경기의 미학적 가치", 움직임의 철학 : 한국체육철학회지, 21(3), pp.79~93 (2013), 한국체육철학회
- 안재식, "한국의 미적 관점으로 바라본 전통무예 택견의 미에 관한 연구", 석사, 체육과학학과 무도과학전공, pp.2013
- 김평수, "경호무도 구성원리의 미학적 탐색", 시큐리티연구, (25), pp.131~146 (2010), 한국경호경비학회
- 황옥철, "학(學)으로서 무도철학의 이론전개방향", 움직임의 철학 : 한국체육철학회지, 21(2), pp.171~188 (2013), 한국체육철학회
- Jin SW, "A Study on Athletiction to Establish the Identity of Korean Hapkido", 박사, pp.2009
- "The Korea Hapkido Competition Federation Demo Competition Rule Books", ~ (2017)
- "The Korea Hapkido Central Association Demo Competition Rule Books", ~ (2017)
- Park GY, "Comparison of Aesthetic Essence between Dancing and Sports", 석사, pp.2002
- 장정윤, "체육미학의 현상학적 조명", 움직임의 철학 : 한국체육철학회지, 12(1), pp.177~196 (2004), 한국체육철학회
- 이인, "대학생의 스포츠 미학적 인식을 통한 교육적 가치 조망", 학습자중심교과교육연구, 15(9), pp.747~765 (2015), 학습자중심교과교육학회
- 이진수, "도가사상과 일본무도", 움직임의 철학 : 한국체육철학회지, 11(2), pp.191~224 (2003), 한국체육철학회
- 강신영, "합기도 원리의 유아교육적 의미 탐색", 생태유아교육연구, 10(1), pp.201~221 (2011), 한국생태유아교육학회
- Yang JB, "Softness and Hardness as a Roung Theory of Martial Arts", The Journal of Korean Alliance of Martial Arts, 2(1), pp.43~58 (2000)
