아리스토텔레스의 『시학』에 나타난 창작의 원리
The Principle of Creation in the Aristotle's Poetics
0
조회
0
다운로드
19
인용
0
참고문헌
키워드
초록
Abstract
The purpose of this paper is to define and clarify the interrelation of the important concepts that constitute the principles of poetic creation presented in Aristotle's Poetics. Above all, poetic art (poiêtikê) is defined as a representation (mimêsis), which, according to the context of Poetics, can be further defined as a process to extract a proper image from an object and transfer it into artistic space. In poetic creation, proper elements are selected from accidents (pragmata) and then reorganized according to the principle of probability or necessity so as to make a representation of an action (praxis), which can be defined as the composition (sunthesis) of a story (muthos). Such a principle of creation can be conceptualized as a purification (katharsis) since after having selected essential elements of an accident and abandoned unessential ones, and the poet represents action in a purified form. As a result, there may be differences between the event and its poetic representation, but there remains, at the same time, an essential similitude. Through reasoning (sullogismos), spectators can overcome the obscurity made by differences and recognize the essential and universal elements coexisting between model and representation. This is a poetic pleasure afforded by poetic creation, like an intellectual enigma, that consists in revealing the essence of human life by means of difference and similitude. Finally, such a poetic creation can be defined as a type of metaphor (metaphora) that depends on perceiving the essential similitude in things.
참고문헌 (28)
- 김인곤, "소크라테스 이전 철학자들의 단편 선집" (2005), 아카넷
- 김헌, "아리스토텔레스 시학 의 새 개념에 기초한 인간 행동 세계의 시적 통찰과 창작의 원리", 인간연구, (7), pp.81~109 (2004), 가톨릭대학교 인간학연구소
- 김헌, "미메시스 - 아리스토텔레스의 시학 과 미메시스", 현대비평과 이론, 15(2), pp.255~268 (2008), 한신문화사
- 손명현, "아리스토텔레스의 시학" (1960), 박영사
- 이경식, "아리스토텔레스의 시학 과 신고전주의. 16-18세기 영국과 유럽의 극비평" (1997), 서울대학교 출판부
- 이상섭, "아리스토텔레스의 시학 연구" (2002), 문학과 지성사
- 천병희, "아리스토텔레스의 시학" (1976), 문예출판사
- Belfiore,E.S, "Tragic Pleasure. Aristotle on Plot and Emotion" (1992), Princeton
- Bernays,J, "Zwei Abhanglungen über die aristotlelische Theorie des Drama" (1880), Berlin
- Butcher,S.H, "Aristotle's Theory of Poetry and Fine Art" (1951), New York
- Dübner, F, "Aristotelis opera omnia graece et latine" (1874), Paris
- Dupont-Roc, R, "Aristote" (1980), La Poétique
- Düring,I, "Aristotle in the biographical tradition" (1957), Göteborg
- Gigon,O, "Aristotlelis opera" (1987), Librorum deperditorum fragmenta
- Golden, L, "Aristotle's Poetics, A Translation and Commentary for Students of Literature" (1968), N.J. Prentice-Hall, Inc
- Gottschalk,H.B, "Aristotelian philosophy in the Roman world from the time of Cicero to the end of the second century AD", Aufstieg und Niedergang der römischen Welt, 36(2) (1987)
- Jaeger,W, "Aristoteles, Grundlegung einer Geschichte seiner Entwicklung" (1923), Berlin
- KIM,H, "Logoi devant la foule - la Rhétorique et la Poétique selon Aristote" (2004), Strasbourg
- Koller,von H, "Die Mimesis in der Antike" (1954), Berne
- Lucas,D.W, "Aristotle, Poetics" (1968), Oxford
- Moraux,P, "Les listes anciennes des ouvrages d'Aristote" (1951), Louvain
- Mossé,C, "Introduction Aristote, Constitution d'Athène" (1999), LBL, Classique en Poche
- Nisbett, R. E, "생각의 지도" (2004), 김영사
- Pellegrin,P, "Aristote" (2000), Physique
- Rackham,H, "Aristotle, the Athenian constitution, The Eudemian Ethics, On Virtues and Vice" (1935), Harvard
- Rose, V, "Aristotelis qui ferebantur librorum fragmenta" (1886), Teubner
- Ross,W.D, "Aristotelis Fragmenta selecta" (1955), Oxford
- Rubenstein,R.E, "Aristotle's Children, How Christians, Muslims, and Jews Rediscovered Ancient Wisdom and Illuminated the Middle Ages" (2003), A Harvest Book