<알제리 전투>의 영화적 복원 -하나의 영화, 상반된 기억-
Memorialising The Battle of Algiers -Two different approaches in France and Algeria-
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The Battle of Algiers (1966) has been regarded as a work of cinema vérité documenting the historical event based on the collective memory of those involved in witnessing the end of French colonialism and the birth of Algerian independent nation. This has created disconcertingly different modes of reception of The Battle of Algiers in France and Algeria, as the withering empire and its former colony respectively underwent a process of historicising the film within their own particular culture. Drawing on the concept of national cinema, this article argues that French cinema's reluctance to embrace the film largely has to do with the so-called 'memory war' on the traumatic past of the Algerian war whilst the film's idealisation of the Algerian history attempted to show rather glorified facets of independence and nation-building but bypassing the post-independence confusions.
Abstract
The Battle of Algiers (1966) has been regarded as a work of cinema vérité documenting the historical event based on the collective memory of those involved in witnessing the end of French colonialism and the birth of Algerian independent nation. This has created disconcertingly different modes of reception of The Battle of Algiers in France and Algeria, as the withering empire and its former colony respectively underwent a process of historicising the film within their own particular culture. Drawing on the concept of national cinema, this article argues that French cinema's reluctance to embrace the film largely has to do with the so-called 'memory war' on the traumatic past of the Algerian war whilst the film's idealisation of the Algerian history attempted to show rather glorified facets of independence and nation-building but bypassing the post-independence confusions.
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