스페인 전래동화 소고
The study of Spanish folktales
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In all of the countries there is a abundant folk stories that come from the oral folk literature. Folktales, with their infinite variations of stories, are funny, wonderful and symbolic, for in them appear giants, dwarves, witches and goblins. Everything is so surprising in this fantasy world where something could happen, and that exalts and enriches our imagination hearing the stories. The stories that we listened to, beside a brazier or under the moonlight, enthuse the children, while also contributing to their upbringing, because the stories are good for a exemplary and noble didacticism. Thus, the traditional fairy tales made the children so happy for countless generations. But in our unstable times, amid the process of rapid change, we hear crying out to wellintentioned feminists against ‘machismo’ of traditional fairy tales and, moreover, insisting that if a traditional tale that was not sexist, it would be a false story, because since the environment in which the story takes place is generally limited to a machista culture. Seeing these useless discussions, we’re sure that we are in a moment to recognize the ethical utilitarian, in other words, the value of fairy tales. It is a moment to point out the ways of the past to serve us when opening new future. Because lost identity as a person and as a people can only be achieved through the historical meaning. For this reason, through the stories found in The three oranges of love and other Spanish stories of Carmen Bravo-Villasante, we note the traditional view of the sexes and the symbolic funtion of traditional fairy tales that can be useful for a balanced development of children’s personality and recognize the values advocated by the traditional Spanish fairy tales, comparing with those of Grimm and Charles Perrault.
Abstract
In all of the countries there is a abundant folk stories that come from the oral folk literature. Folktales, with their infinite variations of stories, are funny, wonderful and symbolic, for in them appear giants, dwarves, witches and goblins. Everything is so surprising in this fantasy world where something could happen, and that exalts and enriches our imagination hearing the stories. The stories that we listened to, beside a brazier or under the moonlight, enthuse the children, while also contributing to their upbringing, because the stories are good for a exemplary and noble didacticism. Thus, the traditional fairy tales made the children so happy for countless generations. But in our unstable times, amid the process of rapid change, we hear crying out to wellintentioned feminists against ‘machismo’ of traditional fairy tales and, moreover, insisting that if a traditional tale that was not sexist, it would be a false story, because since the environment in which the story takes place is generally limited to a machista culture. Seeing these useless discussions, we’re sure that we are in a moment to recognize the ethical utilitarian, in other words, the value of fairy tales. It is a moment to point out the ways of the past to serve us when opening new future. Because lost identity as a person and as a people can only be achieved through the historical meaning. For this reason, through the stories found in The three oranges of love and other Spanish stories of Carmen Bravo-Villasante, we note the traditional view of the sexes and the symbolic funtion of traditional fairy tales that can be useful for a balanced development of children’s personality and recognize the values advocated by the traditional Spanish fairy tales, comparing with those of Grimm and Charles Perrault.
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