백제 금동용봉봉래산향로의 오주악상 헤어스타일 연구
A Study of the Hairstyle of Baekjae’s 5-juaksang of Pongnaesan Incense Burner
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The following is an important, historical reference for the Pongnaesan incense burner, which was superb not only for its overall shape, but also in its intricacy. This study aims to reproduce the display of individuality in the free expressions of Baekjae citizens while reviving a part of the Baekjae hairstyle, which met its limits in studies of the Three Kingdoms period, by studying a statue of five people performing atop an incense burner that seems to demonstrate a common form at first glance, but a closer look reveals the individuality through differences in tying methods. The overall form of the hairstyle of 5-Juaksang is style where the hair is tied to the right of the musician, where the length of knot is longer than the face length except for kˇomungo statue. The form of the knot is evenly and linearly attached to the face for baeso statue and kˇomungo statue, diagonal for jangso statue and wanham statue, and linear with tail changing diagonally for drum statue. The tying method involves one thick braid folded in zigzags or wound in 9-shape,or two or more thinner braids each wound up on its own for X-shape.
Abstract
The following is an important, historical reference for the Pongnaesan incense burner, which was superb not only for its overall shape, but also in its intricacy. This study aims to reproduce the display of individuality in the free expressions of Baekjae citizens while reviving a part of the Baekjae hairstyle, which met its limits in studies of the Three Kingdoms period, by studying a statue of five people performing atop an incense burner that seems to demonstrate a common form at first glance, but a closer look reveals the individuality through differences in tying methods. The overall form of the hairstyle of 5-Juaksang is style where the hair is tied to the right of the musician, where the length of knot is longer than the face length except for kˇomungo statue. The form of the knot is evenly and linearly attached to the face for baeso statue and kˇomungo statue, diagonal for jangso statue and wanham statue, and linear with tail changing diagonally for drum statue. The tying method involves one thick braid folded in zigzags or wound in 9-shape,or two or more thinner braids each wound up on its own for X-shape.
참고문헌 (16)
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