‘행위자의 귀환’과 송암 시가의 재해석

Abstract

In the latter half of the 16th century, in the Yean region, the young disciples of Toigye Lee Hwang (1501~1570) had repeated their wanderings and conflicts between the state examination and the Neo-Confucianism and between the high expectations of the adults who had hoped for the former and their creeds that had hoped for the latter. At last, the people selecting the latter were being discharged continuously and in groups. As, Kwon, Ho-moon, too, was one of them, if it is definite that they cannot be called the "losers" by underestimating them, our Kwon, Ho-moon, too, was the same. In interpreting his works of art, the conventional discussions on Songam's classical poetry had the socio-economic factor called "the failure in the state examination" as an important premise. But, the existences called the "human beings" are the meaningful animals that, when a meaning has been given to a certain subject, boldly abandon such things in order to pursue the meanings given by themselves by going beyond the economic logic or the principle of pleasure. In this manuscript, while keeping in mind such points, it was intended to read the classical poetry works of art by Songam. As a result, the conclusion was made that the self-esteem, the pride, the calm reciting regarding the experience of the confusing past, etc. are not the disguises intended to ideologically escape from the lingering attachments, complaints, or these resulting from the failures with regard to the work. The conclusion was made that the moral cultivation of the individuals is directly related to the harmony and the stability of the society. So, the conclusion was made again that the pursuit for the academic appropriateness and not the pursuit for the social justice causes the signifying task which is said to be much more valuable.