언어와 기억, 애도의 전복성: 세라 룰의 『유리디스』
Subversiveness of Language, Memory, and Mourning in Sarah Ruhl’s Eurydice
1
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
The purpose of this study is to examine the pattern of dissolving customary narrative through memory and mourning mediated by language in Sarah Ruhl’s Eurydice (2003). In particular, this study explores how the interaction between language and memory extends to the theme of the overthrow of conventional order and the transcendence of dichotomous confrontation, through letters and language activities that lead to past reflections and autonomous decision. Ruhl appreciates personal experiences and emotions, and regains the values of everyday things with the post-feminist gaze of pursuing diversity, while using the voices of women to ask for reflections on loss and sorrow, and to construct discourses of knowledge and truth to dismantle the mythical personality under conventional discourse.
Abstract
The purpose of this study is to examine the pattern of dissolving customary narrative through memory and mourning mediated by language in Sarah Ruhl’s Eurydice (2003). In particular, this study explores how the interaction between language and memory extends to the theme of the overthrow of conventional order and the transcendence of dichotomous confrontation, through letters and language activities that lead to past reflections and autonomous decision. Ruhl appreciates personal experiences and emotions, and regains the values of everyday things with the post-feminist gaze of pursuing diversity, while using the voices of women to ask for reflections on loss and sorrow, and to construct discourses of knowledge and truth to dismantle the mythical personality under conventional discourse.
참고문헌 (23)
- 이현경, "새러 룰의 애도의 드라마", 박사, pp.2016
- 최성희, "중력에 대(항)하여: 세라 룰의 오비드적 드라마터지", 현대영미드라마, 31(1), pp.57~87 (2018), 한국현대영미드라마학회
- 최성희, "비극의 (재)탄생: 세라 룰의 애도 3부작", 영미문학교육, 22(1), pp.245~281 (2018), 한국영미문학교육학회[DOI]
- Al-Shamma, James, "Sarah Ruhl: A Critical Study of the Plays" (2011), McFarland
- Barthes, Roland, "Mythologies" (1972), Hill and Wang
- Beardsworth, Sara, "Julia Kristeva: Psychoanalysis and Modernity" (2004), State University of New York Press
- Chirico, Miriam, "Review of Eurydice by Sarah Ruhl, Les Waters", Theatre Journal, 59(2), pp.315~317 (2007)
- 최석훈, "Theatre of Senses ‘Against Interpretation’: Sensual Imagery and Imagist Language in Sarah Ruhl’s Eurydice", 외국학연구, (40), pp.123~141 (2017), 외국학연구소[DOI]
- Durham, Leslie Atkins, "Women's Voices on American States in the Early Twenty-First Century: Sarah Ruhl and Her Contemporaries" (2013), Macmillan
- Gill, Rosalind, "Postfeminist Media Culture: Elements of a Sensibility", European Journal of Cultural Studies, 10, pp.147~166 (2007)
- Greeley, Lynne, "Fearless Femininity by Women in American Theatre (1910s to 2010s)" (2015), Cambria
- Kristeva, Julia, "Black Sun: Depression and Melancholia" (1989), Columbia UP
- Kristeva, Julia, "In the Beginning Was Love: Psychoanalysis and faith" (1987), Columbia University Press
- Kristeva, Julia, "Powers of Horror: An Essay on Abjection" (1982), Columbia UP
- Kristeva, Julia, "New French Feminisms: An Anthology", pp.137~141 (1981), Schocken
- Marks, Elaine, "New French Feminisms: An Anthology" (1981), Schocken
- Muse, Amy, "The Drama and Theatre of Sarah Ruhl" (2018), Methuen Drama
- Ruhl, Sarah, "100 Essays I Don’t Have Time to Write: On Umbrellas and Sword Fights, Parades and Dogs, Fire Alarms, Children, and Theater" (2015), Farrar, Straus and Giroux
- Ruhl, Sarah, "The Clean House and Other Plays", pp.325~411 (2006), Theatre Communications
- Ruhl, Sarah, "Divine Fire: Eight Contemporary Plays Inspired by the Greeks" (2005), Back Stage
- Ruhl, Sarah, "Interview. "Sarah Ruhl." With Gwen Orel", The Writer, 122(8), pp.66~ (2009)
- Ruhl, Sarah, "Popular Forms for a Radical Theatre", pp.28~42 (2011), NoPassport