한국과 터키 문학에 나타난 동서양의 문화갈등 - <무녀도>와 <내 이름은 빨강>을 중심으로

Abstract

This thesis is focus on the East-West Conflict of <My Name Is Red> in Turkish Literary and <Mu Nyo Do> in Korean Literary. When a country is experiencing changes by both its interal and external factors, the society is forced to face various kinds of problems such as political and social tensions, confrontations and conflicts among different social classes, and stagnation of cultural areas. In circumstances like that, as a way of seeking general understanding of people’s lives and retrieval of its homogeneity, national literature theory has emerged and various discussions on the theory. Considering that literature represents an aspect of human mentality that reflects the reality of the society, it is natural that an attempt has been made to take advantage of the influence of nationalism, which was the mainstream of the time. <My Name Is Red> of Turkish Literary which portrays the intense anguish of artists in Istanbul, the capital Ottoman Empire in the 16th century, begins with a monologue of Elegance who is a murdered miniaturist. The background before and after the murder is attributed to the fact that Eniste publishes a book which secretly commissioned by the Sultan. Eniste starts adoring Venetian paintings after seeing a certain portrait during his visit to Venice as a number of delegation. Thus, the main structure of this novel is the conflict and clash of Eastern and Western paintings and it is manifested through an acute conflict among the characters. Because of Enisite’s Western style paintings, many miniaturists suffer and agonize over the selection between traditional and Western brushwork. <Mu Nyo Do> of Korean Literary which portrays the intense anguish of artist in Kyungju, the capital Shilla dynasty in the 20th century, begins with a monologue of persona who is writer. In <Mu Nyo Do>, Dong Ri reveals the sharp confrontation of Christianity with folk shamanism through mother and son’s blood ties. He introduced the deepest and mysterious spiritual world of human existence. In this work, Mo Hwa’s death shows two aspects. Firstly, a tragic death which results from collision with Christianity and Shamanism. Secondly, a harmonized death which is assimilated with nature. He accept the view of the spirit and the world of Christianity and shamanism. He apprehended human’s deep inner world and succeeded in achieving realism based on humanism. In order to study the East-West Conflict in <My Name Is Red> of Turkish Literary and <Mu Nyo Do> of Korean Literary which have succeeded up to present without interruption, it is to gather more materials, widen an appreciative eye the literature in Turkey and Korea and deepen the till now study continuously.