벽파정 제영의 서정과 그 지향

Abstract

Byeokpajeong in Jindo is a Nujeong with a very long history. After Byeokpajeong was constructed during the mid-Goryeo Dynasty(or before the time), many people including bureaucrats and exiled persons passed by here and composed Byeokpajeong Jeyoung Poems. In doing so, Byeokpajeong symbolized a parting Jeongja, and sorrows and pleasures are selected representative emotions of Byeokpajeong Jeyoung Poems. Base on that, this paper has examined lyric changes at Byeokpajeong Jeyoung Poems. So this paper tried to analyze Byeokpajeong Jeyoung Poems composed by Go, Jo-gi(高兆基), Chai, Bo-moon(蔡寶文), Jo, Hee-jik(曺希直), Hong, Juk(洪迪). Because this paper has considered that these works have a strong influence of processing of creation and acceptance. As a result of analysis, firstly, Go, Jo-gi’s work is the oldest know works of Byeokpajeong Jeyoung Poems. He made an inspection of Jindo as a bureaucrat, then composed Byeokpajeong Jeyoung Poems. The pride he felt as a bureaucrat was in for his work’s lyric. Secondly, Chai, Bo-moon’s position was the same as Go, jo-gi’s. Chai, His work’s main message was a compliment on Jindo and Byeokpajeong. Thirdly, Jo, Hee-jik was exiled during the late-Goryeo Dynasty. So his work was full with sorrows. Fourthly, Hong, Juk was a pupils of No, Su-sin(盧守愼), and No, Su-sin was exiled in Jindo for 19 years. Accordingiy Hong, Juk’s work was composed of the institutions and customs of Jindo and honoring his teacher. This paper, therefore, has found that Byeokpajeong Jeyoung Poems was sorrows and pleasures image of lyric and that lyric of Byeokpajeong Jeyoung Poems had been changing with the times and depended on who it is.