영화와 문학의 상관관게에 관한 연구 - 몽타주 기법을 중심으로 본 -

Abstract

One of the important features for the areas of culture late in the 20th century is the brilliant development of the visual media including film. The rising of the visual media has promoted new cultural environment of the day. In this reason it becomes hard to understand today’s social and cultural changes without any knowledges of the role of visual media. We often observe that one kind of literature text is transformed into different forms of media to be produced in diverse states. These are the cases that their literal texts are got out of the narrow literal category and enlarged to the new media forms in the new situations. In this basis the necessity rises that the theme of the new media research methodology in the interdisciplinary research area must be accepted positively and developed following the new trend. The movement of the form of film has been raised from the late of the 19th century like that of the modernism in literature. But it has been constituted in a condensed and united aspect even if going together with the movement of modernism in the beginning of the 20th century. The form of film has enlarged and spreaded out until over the half of the 20th century and the tendency makes the novelists of the James Joyce’s age and important novelists at the present being able to speak for the today’s literal situation build up their concrete relationship. Specially the relation between the Joyce and the film shows typically the interrelationship between modern artists in literature and other areas. There are similarities and differences between film and literature in the point of using images. Images are used to reveal some important things visually in literature and in film, by the way, to emphasize the importance of the things showed visually. It seems that techniques of images are same but the point of emphasis are different in them. The montage of film is a kind of signal order system of images. The montage is necessary to the life of prologue. If there is no montage there are only remained simple and constant time and space and reproduced exactly endlessly. Different time and difference space can be existed together owing to the montage in film with successive series in the narrative scenes.