미켈란젤로 안토니오니 영화에서 발생적 공간과 하이데거의 불안의 현시에 관한 연구

Abstract

The purpose of this paper is to find how Heidegger’s anxiety over the Antonioni film refer to the study of genetic space. Heidegger’s anxiety is not a psychological phenomenon, but the ontological experience that Dasein in the world meets nothing. The anxiety is related to the space. Antonioni film’s characters are always feel insecure, lonely and incommunicable. The reality is strange to them. The emotion premise the anxiety. The anxiety stems from the area in which they live. The relationship between anxiety and space issues associated with Heidegger’s anxiety and the Dasein in the world. Our research focuses on analyzing multi-layered meaning of the space in the Antonioni’s film. This paper examine two type of the space in his film : the empty space and the landscape. The former is relate on Die Unheimlichkeit : the Heidegger’s concept reveal in the film a sens of loss and the wanderer. The empty space is materialized by the wall, land, out-of-town, desert. The latter is relate on Die Stimmung : this concept is materialized by the light, the fog and the dust. Die Stimmung indicate the disappearance the reality it self in which Dasein live. In this disappearance, Dasein meets the Sein concealed. But, in the film of Antonioni, in the spite of the disappearance of the reality, the landscape leave the possibility of the revelation about Sein. The process of dynamic movement of space in the film show Heidegger’s anxiety, Unheimlichkeit, Stimmung. In the result, this paper would find out how material space show metaphysical anxiety through the genetic space. This is a study of a new perspective on the space’s image.