현대영화의 자기반영성 혹은 성찰성의 의미 - 홍상수의 <오! 수정>을 중심으로

Abstract

This thesis analysed closely Virgin Stripped Vare by Her Bachelors and discussed the narrative technique and the characteristics of modern cinema, so called 'reflexivity of cinema'. There are so many previous studies which are dealing with two character as a memory-narrative in this film. I tried to do the deep analysis in terms of reflexivity. Thesis has a table of segments for the narrative analysis and clarifies what the segment means. The film has three modules in large. In each episode, there are coherent perspectives, then, names 'film1' and 'film2'. And, the third module is not a complet one, but it is also a film. This point of view is different from the previous cinematic interpretations. The advanced views are that film text is one on the level of two perspectives in the stance of one's memory. That view is different from this theis on the ground of one text. Virgin Stripped Vare by Her Bachelors is the self-reflexivity film that it seeks the relationship between film and reality. The film which is a film about a film, so called 'meta-film', is the foremost in the self-reflexivity. Then, it can be found that the film is different from the interpretation of character's memory. Virgin Stripped Vare by Her Bachelors is in need of the open reading a text that the audience changes the ways of reading from fixed position to open one. The important point of this film is to revise the ways of reaing films. The audience are experienceing differently classical ways of seeing a movie up to now. The change of text means the change of audience. This is the moment that the manifestation, the death of the author is accomplished.