음악가 박영근의 활동 연구

Abstract

This thesis is a study of the musician Park Young-geun, who was active throughout the Japanese colonial period and liberation period, a period of full-scale growth for modern music. I examine the process in which the proletarian view of art, which can be said to be an ideological basis, is transferred, as well as the aspects that are derived from it. By tracing the steps of Park Young-geun, who has been out of fashion in academia, we investigate the overlap between the proposition of ‘art for the masses’ with the justification of ‘construction of national music’, intended to solidify the foundation of proletarian art. Park Young-geun's responsive attitude will be a meaningful target for exploring his ideological thoughts in the mixed reality of the dual task of building national music and establishing a government.