커뮤니케이션으로서의 영화 영상에 관한 연구 -영화 <Melinda & Melinda>분석을 중심으로-
A Study on the Film Images as a Communications - Focusing on the Analysis of ≪Melinda & Melinda≫
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A case study was analyzed the elements of imagery to understand the characteristics of Film Images as an important function in the communications. The first subject of this thesis is the finding messages from the film images. That is to say, every film image uses a lot of ways to communicate specific meanings. The analysis of image is the approach to find out the signs and meanings of the image itself. For this study, Woody Allen’s ≪Melinda & Melinda≫was chosen as a text for a case analysis by semiology. One of the important features for the areas of culture late in the 20th century is the brilliant development of the visual media including film. The rising of the visual media has promoted new cultural environment of these days. In this reason it becomes hard to understand today’s social and cultural environment without any knowledge of the role of visual media, especially film images. Film images were containing their own meaning as composing elements of an entire work. This study found out the way of the connection that individual scenes and sequences of ≪Melinda & Melinda≫ had made the process of understanding the meaning, connotation and denotation, the metaphor of the scenes. The vagueness of the term meaning arises from the wide range of purposes for which it is used. Sender and receiver see different things in the same film images. Previous encounters leave traces which affect the meaning of the images. One message can work simultaneously in a number of different ways, so that in decoding it the audience has to infer connections which may not have been explicit. This is the reason why the analysis of the film images is studied through the semiology.
Abstract
A case study was analyzed the elements of imagery to understand the characteristics of Film Images as an important function in the communications. The first subject of this thesis is the finding messages from the film images. That is to say, every film image uses a lot of ways to communicate specific meanings. The analysis of image is the approach to find out the signs and meanings of the image itself. For this study, Woody Allen’s ≪Melinda & Melinda≫was chosen as a text for a case analysis by semiology. One of the important features for the areas of culture late in the 20th century is the brilliant development of the visual media including film. The rising of the visual media has promoted new cultural environment of these days. In this reason it becomes hard to understand today’s social and cultural environment without any knowledge of the role of visual media, especially film images. Film images were containing their own meaning as composing elements of an entire work. This study found out the way of the connection that individual scenes and sequences of ≪Melinda & Melinda≫ had made the process of understanding the meaning, connotation and denotation, the metaphor of the scenes. The vagueness of the term meaning arises from the wide range of purposes for which it is used. Sender and receiver see different things in the same film images. Previous encounters leave traces which affect the meaning of the images. One message can work simultaneously in a number of different ways, so that in decoding it the audience has to infer connections which may not have been explicit. This is the reason why the analysis of the film images is studied through the semiology.
참고문헌 (14)
- 나은영, "인간 커뮤니케이션과 미디어" (2002), 한나래
- 박정순, "대중매체의 기호학" (1995), 나남출판
- 윤석민, "커뮤니케이션의 이해" (2007), 커뮤니케이션북스
- 차배근, "커뮤니케이션학개론(상)" (1987), 세영사
- 베르너 파울스티히, "영화의 분석" (2003), 미진사
- 유리 로트만, "영화 기호학" (1996), 믿음사
- 존 피크스, "커뮤니케이션학이란 무엇인가" (2001), 커뮤니케이션북스
- 크누트 히케티어, "영화와 텔레비전 분석" (2005), 연세대학교 출판부
- Garth Jowett, "영화 커뮤니케이션" (1988)
- Graem Turner, "Film as Social Practice" (1993), 한나래
- John Morgan, "See What I Mean?" (1992), Routldge, Chapman and Hall, Inc.
- Peter Wollen, "Signs Meaning in the Cinema" (1974)
- Sol Worth, "Film as a non-art: an approach to the study of film, in Perspective on the Study of Film", pp.180~199 (1971)
- Woody Allen, "Melinda & Melinda" (2005)