1980년대 스크린 에로티시즘과 신체의 카니발: 영화 <애마부인>(1982)과 <무릎과 무릎 사이>(1984)를 중심으로

Abstract

This article tried to discuss the problem of screen eroticism, which was popular in the 1980s, in relation to the ‘body’, away from genre and gender roles and meanings. The research method established by this article for the study is as that the erotic body implies the process of overthrowing, violation, and suture of the social order and human violence lurking behind the social order allevviates violence by making the erotic body a sacrificial sacrifice. Accordingly, in the process of analyzing screen eroticism in the 1980s, this article is above all an important aspect of the social order that dominated the time, with an interest in middle-class discurse and Gwangju massacre, analyzing the violence desire accumulated within the public in the 1980s in this regard. In addition, it was judged that this public desire was actively appropriated by screen eroticism. To proove this, in this article, for example <Madame Ema>, <between the Knees>, the two works were analyzed as examples that frequent use of extreme close-ups reproduced from them removed humanity and appeared animalally sacrificial Homo Sakers in their place to alleviate public repressed violence and conducted carnival attempts to overthrow and vialence. Of course, since this was a device for maintaining and sealing social order, the return of these homo sacers to middle-class families was inevitable.