Korean Comics in Russia – Notes on Onomatopoeia and Mimesis
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
Korean comics have just entered Russia in very recent year. Comics in Russia were well developed in the first half of the 20th century, but after World War II and under the restrictions and censorship lasting for approximately 40 years until Perestroika, comics were rarely published. In the beginning of the 21st century, the situation in publishing and translating of foreign comics has rapidly changed: various genres of comics have been widely spread. In this paper, I examine Korean comics in Russia, translated into Russian both on‐line and off‐line. And then I survey a number of specific features that arise in the process of translation, and to focus on one of very interesting problems, the translation of onomatopoeia and mimesis in comics. Those are in large 1) exact translation, 2) substitution, and 3) transliteration. Korean comic books in Russia do not have a long history of distribution. As a result, the translation of Korean onomatopoeia/mimesis in comics into Russian also lacks any long‐standing or well‐established tradition. Because of this brief tradition, the methods of translating the same expressions inevitably vary.
Abstract
Korean comics have just entered Russia in very recent year. Comics in Russia were well developed in the first half of the 20th century, but after World War II and under the restrictions and censorship lasting for approximately 40 years until Perestroika, comics were rarely published. In the beginning of the 21st century, the situation in publishing and translating of foreign comics has rapidly changed: various genres of comics have been widely spread. In this paper, I examine Korean comics in Russia, translated into Russian both on‐line and off‐line. And then I survey a number of specific features that arise in the process of translation, and to focus on one of very interesting problems, the translation of onomatopoeia and mimesis in comics. Those are in large 1) exact translation, 2) substitution, and 3) transliteration. Korean comic books in Russia do not have a long history of distribution. As a result, the translation of Korean onomatopoeia/mimesis in comics into Russian also lacks any long‐standing or well‐established tradition. Because of this brief tradition, the methods of translating the same expressions inevitably vary.
참고문헌 (24)
- Ким, Ён Джу, "Юная королева Джун т. 1" (2007), Фабрика комиков
- Ко, Ясон, "Redrum327 т. 1" (2008), Фабрика комиков
- Ко, Ясон, "Redrum327 т. 2" (2009), Фабрика комиков
- Ко, Ясон, "Redrum327 т. 3" (2010), Фабрика комиков
- Ли, Джонгю, "Возвращение зла т. 1" (2007), Фабрика комиков
- Лим, Даллён, "Пылающий ад т. 1" (2010), Фабрика комиков
- Лим, Даллён, "Пылающий ад т. 2" (2010), Фабрика комиков
- Лим, Даллён, "Пылающий ад т. 3" (2010), Фабрика комиков
- Ли, Со Ён, "Модель т. 1" (2009), Фабрика комиков
- Ли, Со Ён, "Модель т. 2" (2009), Фабрика комиков
- Ли, Со Ён, "Модель т. 3" (2010), Фабрика комиков
- Пак, Сансон, "Кафе Таро т. 1" (2008), Фабрика комиков
- Пак, Хегён, "Мир Докеби т. 1" (2010), Фабрика комиков
- Юн, Джэхо, "В мире снов т. 1" (2009), Фабрика комиков
- Юн, Джэхо, "В мире снов т. 2" (2009), Фабрика комиков
- Юн, Джэхо, "В мире снов т. 3" (2009), Фабрика комиков
- 이기원, "한국어의 의성어와 의태어" (2007), 한국문화사
- 채완, "한국어 의성어와 의태어" (2003), 서울대학교출판부
- 채완, "의성어 의태어의 텍스트별 특성", 국어국문학, 132, pp.121~151 (2003), 국어국문학회
- 허웅, "국어 음운론" (1991), 샘문화사
- Blanka, Ferklova, "Korean Comics in the Czech Republic – A Few Notes on Translation, In Korea and Bulgaria, and Central & Eastern Europe Searching for New Perspectives", Proceedings for 2010 KACEEBS International Conference, pp.49~56 (2010)