김명순 시에 나타난 공간 연구

Abstract

The purpose of this paper is to further understand her poetry world by analyzing the meaning of the space that appears in Kim Myung-soon. Kim Myung-soon's poetic space had an important impact on her self-organization and her life and became an independent way of life, not just a symbol of a building. In her poems, space was divided into Gyeongseong, Pyongyang and Tokyo by time. In its early days, the Gyeongseong is a "unusual place" within the male-centered and patriarchal system and a space that gives the despair of wanting to be a ‘long farewell’ In addition, this despair lead to deep anger. "My Bloody Chest" shows the extreme point of anger at the harsh reality. In addition, life in glass tubes "in glass tubes" is a wasteful space that blocks the life of the main body. But she tries to get out of life through these spaces. The yearning for her hometown and mother in early and mid-term is a symbol of motherhood, connected with Pyongyang, which was primitive and prosperous. So she tried to heal the pain of reality through her rich memories of her hometown. In particular, Kim Myung-soon's mother's feelings were mixed, but her mother embraced her with her original, inner strength, and saved her from a desperate and unfortunate reality. In later times, Tokyo is an open space full of life and love, where Kim Myung-soon can prepare for a life of his own. Therefore, Tokyo becomes a place of rest for her where life and love are more abundant than that of motherhood. In this regard, the poet is able to overcome many difficult situations and lead a more active life. In particular, Tokyo, the "transverse" street, provides Kim with a strong will to "break a break“ among rocks and realize a self-independent and free spirit. In this regard, "Song of Seokgong" is a preview of Kim's firm determination.