염상섭 작품에 나타난근대 여성 복장의 가장성(假裝性)과 여성인식의 부정성(否定性) 연구 －1920~30년대 소설을 중심으로－

Abstract

This study focuses on Yeom Sang-seop’s work on how the pretense of modern women's fashion is translated into negativity. This is a study of how the non-visual nature of female characters reproduced in the novel world (in the negative interior) can be shaped into a recognizable visible dimension. The most common way to express a character in a post-modern novel is to describe his appearance, which serves to help him deduce the essence of the character. However sophisticated the description may be, it is not possible to fully express the person's situation or inner self, and there is always a void. Unlike other visible media, the world of text must only be reproduced through the form of language, so it is always inherent in the impossibility to return what cannot be directly described to the dimension of text. Therefore, spaces that cannot be reproduced in text can only be reproduced in a showing way, not in a form of language. Showing in text can be seen as distortion, omission, or repetition of an epic in a form that reveals an unexpressible gap that is written in an aesthetic format. This means that as the linear and causal flow of narrative is fragmented, certain parts are repeated in distorted, omitted or eccentric form in an incomprehensible manner within the logic of the work. Therefore, this study is based on how the unspeakable things (unpresentable) in Yeom Sang-seop’s novel are shaped within the structure of the narrative, based on the dressing pattern of female students’ uniforms. This study assumed that defining the fashion patterns of the women of the day was pretense and noted that the inner essence of women already wearing it was stated in the appearance of female attire. showing the negative inner nature of the uniform itself means that, in other words, there is a fine variation on the outside that can perceive the essential differences of women in the same uniform. The principle of extracting women in female uniforms and distinguishing parasites, criminals and concubines in female uniforms from those in female uniforms can be detected as the minimal difference between the expression and the cracks in the appearance that appear to be. This minimal difference cannot be said by the act of expression, which is recognized when the act of expression is combined with the form of This format can be described as a way to post-organize future events to show the present. The so-called new women in Yeom Sang-sup’s novel are portrayed as great villains who reveal the truth of the unclean interior in the form of dress. Therefore, negative narratives of female characters are limited to the fact that female characters that are reproduced in Yeom Sang-seop’s novels are not real women, but exist only in the novels (losing probability), leaving fictional truths in fiction, and women in an incomprehensible form, and becoming more mysterious.