史料에 쓰인 用例로 본 本國劍 의미

Abstract

Bongukgum(literally meaning national sword, 本國劍) is widely recognized as Korea’s traditional swordsmanship. However, there has been lack of studies on the traditionality of Bongukgum unlike general awareness. The first historic record as to Bongukgum can be found in the description of ‘Hwang Chang-nang’ in <Muyedobotongji> and the Chinese character “新劍”, which literally means ‘new swordsmanship. These historic records have enabled Bongukgum to be recognized as the swordsmanship of Hwarang in Shilla Dynasty period, initiating a claim that it is the world’s first swordsmanship. However, this claim fails to present objective and rational grounds and may run the risk of being criticized as national supremacy. This study has drawn the following findings and conclusions based on the in-depth research and analysis of the records of official history (正史) from the perspective of Chinese literature. 1. The word Bongukgum was used interchangeably with Joseonsebeop prior to the publication of iconic martial arts guidebooks <Muyeshionbo> and <Muyedobotongji>. 2. The word Bongukgum is a common noun that refers to all types of swordsmanship handed down to the Joseon Dynasty period. At the same time, it is a proper noun that refers to the swordsmanship popularly known as the ‘new swordsmanship’ recorded in <Muyedobotongji>. 3. The records show that the swordsmanship named as ‘Bongukgum’ includes what was introduced as Joseon Saebeop(Joseon swordsmanship) in <Mubiji(武備志)> what was introduced as “Yedo(銳刀)” in <Muyedobotongji>, and what was recorded as Bongukgum in <Muyedobotongji>. 4. Bongukgum, which was referred to as “new swordsmanship” in <Muye- dobotongji> was created in modern times instead of being handed down from Silla Dynasty. These findings have raised several questions and areas of further studies. In particular, convergence studies on <Muyedobotongji> based on a clear interpretation and understanding of various historic records against a background of authentic history and materials written in Chinese character are required. In addition, critical awakening and reflections on historical awareness among Korean swordsmanship practitioners are required as well.