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Shakespeare의 작품에 나타난 타자의 봉쇄

The Containment of Others in Shakespeare

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Every literary work reflects the socio-political situation in a certain age. In this sense it is wrong to overlook the historical background of the period during which a literary work was written. Shakespeare lived and wrote at a time when English mercantile and colonial enterprises were just germinating. That's why he frequently used exotic settings and alien characters in his plays as a means of entertainment to Elizabethan audience who had a growing interest in the world around them. Shakespeare describes his alien characters (Othello and Caliban) as 'others'. Through Othello, Shakespeare suggests a subversive situation which may give rise to identity crisis and the influx of alien culture. Othello's violent attitudes toward Desdemona justifies the antagonism of the-then English society against foreigners, especially blacks. His negative image under the 'thin skin of culture' is revealed and his image as a noble Moor proves to be nothing but a figuration. Caliban, representing a colonial native, is described as a savage who continues committing violent and brutal acts. This clearly shows how Shakespeare distorts alien characters as something mean and low. In a way, Caliban's violation can be interpreted as a political subversion to gain back his lost island. But Shakespeare put great emphasis on the native's brutality and cruelty in a manifest attempt to justify colonialism. All things considered, Shakespeare seems to reinforce the established order based on racial discrimination and colonialism by blaming alien culture for being anti-social.

Abstract

Every literary work reflects the socio-political situation in a certain age. In this sense it is wrong to overlook the historical background of the period during which a literary work was written. Shakespeare lived and wrote at a time when English mercantile and colonial enterprises were just germinating. That's why he frequently used exotic settings and alien characters in his plays as a means of entertainment to Elizabethan audience who had a growing interest in the world around them. Shakespeare describes his alien characters (Othello and Caliban) as 'others'. Through Othello, Shakespeare suggests a subversive situation which may give rise to identity crisis and the influx of alien culture. Othello's violent attitudes toward Desdemona justifies the antagonism of the-then English society against foreigners, especially blacks. His negative image under the 'thin skin of culture' is revealed and his image as a noble Moor proves to be nothing but a figuration. Caliban, representing a colonial native, is described as a savage who continues committing violent and brutal acts. This clearly shows how Shakespeare distorts alien characters as something mean and low. In a way, Caliban's violation can be interpreted as a political subversion to gain back his lost island. But Shakespeare put great emphasis on the native's brutality and cruelty in a manifest attempt to justify colonialism. All things considered, Shakespeare seems to reinforce the established order based on racial discrimination and colonialism by blaming alien culture for being anti-social.

참고문헌 (10)

  1. Barker, F., "Nymphs and Reapers Heavily Vanish: The Discursive Con-Texts of The Tempest. in: Alternative Shakespeares" (1985), Methuen
  2. Eagleton, T., "Criticism and Ideology" (1978), Verso
  3. Hunter, G. K., "Othello and Colour Prejudice. in: Dramatic Identities and Cultural Tradition: Studies on Shakespeare and His Contemporaries" (1978), Liverpool UP
  4. Longhrey, B., "Ferdinand and Miranda at Chess", Shakespeare Survey, 35, pp.113~118 (1982)
  5. Orgel, S., "Shakespeare and the Cannibals. in: Cannibals, Witches, and Divorce: Estranging the Renaissance" (1987), Johns Hopkins UP
  6. Ryan, K., "Shakespeare. in: Harvester New Readings" (1989), Worcester
  7. Shakespeare, W., "Othello: The New Cambridge Shakespeare" (1984), Cambridge UP
  8. Shakespeare, W., "The Tempest: The Arden Shakespeare" (1997), Muthuen
  9. Vaughan, A. T., "Shakespeare's Caliban: A Cultural History" (1993), Cambridge UP
  10. Vaughan, V. M., "Othello: A contextual history" (1994), Cambridge UP

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