본문 바로가기
KERD
논문KCI 등재

러시아 문학과 한국 문학의 미적 근대성과 ‘창조된 고전/정전’ 연구

A Study on Aesthetic Modernity and ‘Inventing The Classics/The Canon’ in Russian Literature and Korean Literature

0

조회

0

다운로드

0

인용

0

참고문헌

키워드

주제분류기타인문학

초록

Inventing The Classics/The Canon does not consist of a fixed set of rules, but it is always subject to revision. Inevitably, an issue of Classics/Canon is closely related to teaching methodology and a fossilized Classics/Canon can produce outmoded pedagogy and vice versa. First of all, this article is an analysis of Aesthetic Modernity, which is renowned as a key piece of literature in Russian Korean modern literature. The main purpose of this paper was to find out how Chehov’s work and Lee Tae-Jun’s work were interpreted in the course of modern history(aesthetic modernity) and to analyze any political issues/ideology involved with interpretation of inventing The Classics/The Canon. In the end, this article revealed that both Chehov’s and Lee Tae-Jun’s work have been interpreted in the course of inventing The Classics/The Canon. My first point is in relation to the formation of inventing The Classics/The Canon. My second point is in relation to the reproduction of inventing The Classics/The Canon. Based on this idea the main theme was analyzed.

Abstract

Inventing The Classics/The Canon does not consist of a fixed set of rules, but it is always subject to revision. Inevitably, an issue of Classics/Canon is closely related to teaching methodology and a fossilized Classics/Canon can produce outmoded pedagogy and vice versa. First of all, this article is an analysis of Aesthetic Modernity, which is renowned as a key piece of literature in Russian Korean modern literature. The main purpose of this paper was to find out how Chehov’s work and Lee Tae-Jun’s work were interpreted in the course of modern history(aesthetic modernity) and to analyze any political issues/ideology involved with interpretation of inventing The Classics/The Canon. In the end, this article revealed that both Chehov’s and Lee Tae-Jun’s work have been interpreted in the course of inventing The Classics/The Canon. My first point is in relation to the formation of inventing The Classics/The Canon. My second point is in relation to the reproduction of inventing The Classics/The Canon. Based on this idea the main theme was analyzed.

참고문헌 (27)

  1. 강명수, "체호프 문학의 몇 가지 쟁점" (2009), 보고사
  2. 강명수, "해설-벚나무 동산, In 벚나무 동산" (2012), 지만지
  3. 강진호, "1930년대 후반기 소설의 전통지향성 연구 - 이태준을 중심으로, In 근대 문학과 이태준" (2000), 깊은샘
  4. 김윤식, "『문장』지의 세계관, In 한국근대문학사상비판" (1978), 일지사
  5. 김춘식, "미적 근대성과 동인지 문단" (2003), 소명출판사
  6. 김혜영, "정전(正典)" (2010), 역락
  7. 마테 칼리니스쿠, "모더니티의 다섯 얼굴" (1991), 시각과 언어
  8. 박인기, "문학교육과 문학 정전의 새로운 관계 맺기, In 정전" (2010), 역락
  9. 박진숙, "이태준과 현대소설사" (2004), 깊은샘
  10. 박헌호, "구인회를 어떻게 볼 것인가, In 근대문학과 구인회" (1996), 깊은샘
  11. 블라디슬로프 타타르키비츠, "미학의 기본 개념사" (1990), 미진사
  12. 알렉산드르 추다코프, "체호프의 세계" (2001), 소명
  13. 알렉산드르 추다코프, "체호프와 그의 시대" (2004), 소명출판
  14. 윤여탁, "한국의 문학 교육과 정전: 그 역사와 의미, In 정전" (2010), 역락
  15. 이광호, "미적 근대성과 한국문학사" (2011), 민음사
  16. 이명희, "『시와 소설』과 구인회의 의미, In 근대문학과 구인회" (1996), 깊은샘
  17. 이선미, "‘구인회’의 소설가들과 모더니즘의 문제: 이태준과 박태원의 경우, In 근대문학과 구인회" (1996), 깊은샘
  18. 이철, "러시아 문학사" (1994), 벽호
  19. 피터 부르디외, "상징폭력과 문화재생산" (1995), 새물결
  20. 하루오 시라네, "창조된 고전" (2002), 소명
  21. 허윤회, "시대의 인식과 그 불협화 - 이태준의 문학에 나타난 모더니즘과 상고주의 논의에 대하여, In 근대문학과 이태준" (2000), 깊은샘
  22. Charles-Augustin Saint-Beuve, "What is Classic?, In The Critical Tradition: Classic Texts and Contemporary Trends" (1989), St. Martin's Press
  23. Durkin, A. R., "Chehov and the journal of his time, In Literary Journals in Imperial Russia" (1997), Cambridge University Press
  24. Grossman, J. D., "Rise and decline of the ‘literary’ journal 1880-1917, In Literary Journals in Imperial Russia" (1997), Cambridge University Press
  25. Guillory, J., "Canon, In Critical Terms for Literary Study" (1995), University of Chicago Press
  26. Громов, М., "Чехов" (1993), Молодая Гвардия
  27. Степанов, Ю. С., "Словарь русской культурь" (1997), Языки русской культуры

관련 논문AI추천

이 간행물의 다른 논문 (15건)