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彭孫遹 詞 硏究

Research on Sunyu Peng’s Ci Poetry

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초록

This research was conducted on the Ci poetry of Sunyu Peng, who, while playing a key part in the advancement of early Qing philosophy at its epicenter in Yangzhou’s Ci poet group, never received proper credit for his role and works. This research analyzes Peng’s Ci poetry and centers on his works such as ‘Jilü (羈旅)’, ‘Yanqing (艶情)’ and ‘RYongwu (詠物)’, which, quantitatively speaking, made up most of the diverse topics tackled by Peng. In his Jilü Ci, the emotions of the individual traversing places far from home, longings for family and friends as well as feelings about the scenery and history of the regions he wandered through were well expressed. The Yanqing Ci portrayed not so much the degenerate yet widely-accepted expressions of love at the time, but rather highlighted the love between a sincere husband and wife. The Yongwu Ci gave not only a precise depiction of the form of objects but included the mentality and feelings of the author himself as well. The greatest characteristic of Peng’s Ci poetry is that, regardless of the topic, he faithfully reflected his personal and sincere feelings towards each situation within each Ci. This originated from Peng’s unique understanding of the Ci pPoetics, which should be acknowledged as moving forward and bringing change to what was formally a rather playfully creative mentality found amongst early Qing Ci groups.

Abstract

This research was conducted on the Ci poetry of Sunyu Peng, who, while playing a key part in the advancement of early Qing philosophy at its epicenter in Yangzhou’s Ci poet group, never received proper credit for his role and works. This research analyzes Peng’s Ci poetry and centers on his works such as ‘Jilü (羈旅)’, ‘Yanqing (艶情)’ and ‘RYongwu (詠物)’, which, quantitatively speaking, made up most of the diverse topics tackled by Peng. In his Jilü Ci, the emotions of the individual traversing places far from home, longings for family and friends as well as feelings about the scenery and history of the regions he wandered through were well expressed. The Yanqing Ci portrayed not so much the degenerate yet widely-accepted expressions of love at the time, but rather highlighted the love between a sincere husband and wife. The Yongwu Ci gave not only a precise depiction of the form of objects but included the mentality and feelings of the author himself as well. The greatest characteristic of Peng’s Ci poetry is that, regardless of the topic, he faithfully reflected his personal and sincere feelings towards each situation within each Ci. This originated from Peng’s unique understanding of the Ci pPoetics, which should be acknowledged as moving forward and bringing change to what was formally a rather playfully creative mentality found amongst early Qing Ci groups.

참고문헌 (13)

  1. 唐圭璋, "詞話叢編" (1986), 中華書局
  2. 嚴迪昌, "淸詞史" (1990), 江蘇古籍出版社
  3. 李康化, "明淸之際江南詞學思想硏究" (2001), 巴蜀書社
  4. 賀新輝, "淸詞鑑賞辭典" (2006), 北京燕山出版社
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  6. 王步高, "金元明淸詞鑑賞辭典" (1989), 南京大學出版社
  7. 馬興榮, "中國詞學大辭典" (1996), 浙江敎育出版社
  8. 龍楡生, "近三百年名家詞選" (1979), 上海古籍出版社
  9. 葉嘉瑩, "淸詞叢論" (1997), 河北敎育出版社
  10. 이석형, "陳子龍詞硏究", 중국문학, 56, pp.177~198 (2008), 한국중국어문학회
  11. 이석형, "王士禎 詞論 硏究", 중국학보, (62), pp.73~93 (2010), 한국중국학회
  12. 이석형, "王士禎 詞 硏究", 외국학연구, (30), pp.337~370 (2014), 외국학연구소
  13. 余祖坤, "彭孫遹行年考略", 中國韻文學刊, pp.22~32 (2008)

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