편집증적 망상의 저항대안으로서 현존재의 역능과 대화적 상상력-『불출들의 달』과 『사랑의 바보짓』을 중심으로
Dasein Puissance and Dialogic Imagination as the Resistant Alternative against Paranoiac Delusion - Centering A Moon for the Misbegotten & Fool for Love
1
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This paper focuses on the metonymic game of linguistic and gesticulatory strategy to survive in the consistent boredom of mutistratal dailiness in the postmodern consumption society, where modernists, Descartes’ lunatic followers have made malformed with indefinite false signifiers. Such expressionistic and hyper-realistic plays as A Moon for the Misbegotten by Eugene O’Neill and Fool for Love by Sam Shepard audiovisually show the incest-related family tragedy caused by a father in American Western & Northeast myth. The main characters who suffer from delusional disorder, paranoia, and obsession exhibit regressive phenomena towards the past without concentrating on the present. They often mistake tongueslips and repeat forgetfulness to hide or elude their distorted past vestiges connected with sexual sadism and masochism while talkng to others with meaningless signifiers. Such active female characters as Josie, Abbie, and May who freely make Dionysian metonymic rhetorics can defeat the metaphorical linguisitic mechanism from some men abnormally obsessed with the past traces from the mirror stage of Jacques Lacan’s desire, metonymy of lack.
Abstract
This paper focuses on the metonymic game of linguistic and gesticulatory strategy to survive in the consistent boredom of mutistratal dailiness in the postmodern consumption society, where modernists, Descartes’ lunatic followers have made malformed with indefinite false signifiers. Such expressionistic and hyper-realistic plays as A Moon for the Misbegotten by Eugene O’Neill and Fool for Love by Sam Shepard audiovisually show the incest-related family tragedy caused by a father in American Western & Northeast myth. The main characters who suffer from delusional disorder, paranoia, and obsession exhibit regressive phenomena towards the past without concentrating on the present. They often mistake tongueslips and repeat forgetfulness to hide or elude their distorted past vestiges connected with sexual sadism and masochism while talkng to others with meaningless signifiers. Such active female characters as Josie, Abbie, and May who freely make Dionysian metonymic rhetorics can defeat the metaphorical linguisitic mechanism from some men abnormally obsessed with the past traces from the mirror stage of Jacques Lacan’s desire, metonymy of lack.
참고문헌 (27)
- 김욱동, "대화적 상상력: 바흐친의 문학이론" (1988), 문학과 지성사
- 김형호, "라캉의 반인간주의" (1990), 고려원
- 마페졸리, 미셀, "디오니소스의 그림자: 광란의 사회학을 위하여" (2013), 삼인
- 마페졸리, 미셀, "부족의 시대: 포스트모던 사회에서 개인주의 쇠퇴" (2017), 문학동네
- 바흐친, 미하일, "도스또예프스키 시학" (1988), 정음사
- 보드리야르, 장, "소비의 사회" (1993), 문예출판사
- 비트겐슈타인, 루드비히, "논리-철학 논고 비트겐슈타인 선집 1" (2006), 책세상
- 스피노자, 베네틱트, "에티카" (2014), 서광사
- 시걸, 줄리아, "멜라니 클라인: 정신분석의 거장" (2009), 학지사
- 이은주, "『사랑의 바보짓』(Fool for Love)에 나타난 시간과 공간", 영어영문학연구, 44(2), pp.167~186 (2018), 대한영어영문학회[DOI]
- 이정호, "포스트모던 문화읽기" (1995), 서울대학교출판부
- 정문영, "현대 비평이론과 연극: 정신분석, 페미니즘, 현대연극" (2006), 동인
- 채수경, "A Moon for the Misbegotten에 나타난 이상화된 여성인물 조시의 실체", 현대영미드라마, 16(2), pp.10~296 (2003), 한국현대영미드라마학회
- 천인국, "기초편 영상처리" (1998), 기한재
- 하이데거. 마틴, "존재와 시간" (2015), 동서문화사
- Badiou, A., "On Beckett" (2003), Clinamen
- Barlow, J. E., "O’Neill’s Female Characters. The Cambridge Companion to Eugene O’Neill" (1998), Cambridge University Press
- Berlin, Normand, "O’Neill’s Shakespeare" (1993), Michigan University Press
- Bogard, T., "Contour in Time: The Plays of Eugene O’Neill" (1988), Oxford University Press
- Chothia, J., "Forging a Language : A Study of the Plays of Eugene O’Neill" (1981), Cambridge University Press
- Eliott, A., "Psychoanalytic Theory: An Introduction" (1994), Blackwell Publishing
- O’Neill, E., "A Moon for the Misbegotten" (2006), Dongin
- Lacan, J., "The Four Fundamental Concepts of Psychoanalysis" (1977), W. W. Norton & Co.
- Shepard, S., "Language, Visualization and the Inner Library. American Dreams: The Imagination of Sam Shepard" (1981), Performing Arts Journal Publications
- Shepard, S., "Fool for Love" (2003), Dongin
- Tucker, M., "Dual Opposition and its Individual and Epic Dimensions. Bloom’s Major Dramatists: Sam shepard" (2003), Chelsea House
- Wetzsteon, R., "Introduction. Fool for Love and Other Plays" (1984), Bantam Books