『사랑의 바보짓』(Fool for Love)에 나타난 시간과 공간
Time and Space in Fool for Love
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This paper studies Time and Space in Fool for Love by Sam Shepard, based on Time concept of Henri Bergson and Heterotopia of Michel Foucault. Bergson identifies time with duration, which means that the parts of time, unlike the parts of space, do not exist separately. Duration is an immeasurable flow or continuous progression of time where past, present, and future are dynamically fused and dissolve into an unbroken flux. The Old Man, a ghostlike character, appears on stage as a special presence. He is the dead father of Eddie and May but he appears as a physical presence and controls them, treating them as though they all existed in the same time and place. The parts of past interpenetrate their present and they are inseparable parts of a single continuous, connected process. Space in the play is a motel room on the edge of the Mojave Desert. The place is heterotopia of time: present of reality and past of fantasy coexist on stage. It is heterotopia which is a single real place that juxtaposes several spaces: main stage, the Old Man’s space, audience space and unseen parking lot next the motel room.
Abstract
This paper studies Time and Space in Fool for Love by Sam Shepard, based on Time concept of Henri Bergson and Heterotopia of Michel Foucault. Bergson identifies time with duration, which means that the parts of time, unlike the parts of space, do not exist separately. Duration is an immeasurable flow or continuous progression of time where past, present, and future are dynamically fused and dissolve into an unbroken flux. The Old Man, a ghostlike character, appears on stage as a special presence. He is the dead father of Eddie and May but he appears as a physical presence and controls them, treating them as though they all existed in the same time and place. The parts of past interpenetrate their present and they are inseparable parts of a single continuous, connected process. Space in the play is a motel room on the edge of the Mojave Desert. The place is heterotopia of time: present of reality and past of fantasy coexist on stage. It is heterotopia which is a single real place that juxtaposes several spaces: main stage, the Old Man’s space, audience space and unseen parking lot next the motel room.
참고문헌 (22)
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