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What is Jane Austen writing about in Northanger Abbey: Advocacy of Parental Tyranny or Filial Disobedience?

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This paper seeks to readdress Jane Austen’s first novel, Northanger Abbey, completed in 1803, by applying Michael McKeon’s theoretical framework which defines the English novel as a genre of instabilities narrating conflicts of class and social identity during the eighteenth century. Although McKeon’s textual analysis covers up to the 1740s and does not include Austen, his theoretical paradigm concerning “Questions of Truth” and “Questions of Virtue” outline the “instabilities” of class and social identity experienced by Austen’s hero and heroine in their struggle to override parental tyranny and avoid punishment from filial disobedience. Austen depicts how her characters, both intentionally and unintentionally, reject being victimized in the marriage market. Applying McKeon, I delineate how Austen challenges the class system and redefines social identity in her last chapter, by introducing a new paradigm in which parental tyranny is not in conflict with filial disobedience.

Abstract

This paper seeks to readdress Jane Austen’s first novel, Northanger Abbey, completed in 1803, by applying Michael McKeon’s theoretical framework which defines the English novel as a genre of instabilities narrating conflicts of class and social identity during the eighteenth century. Although McKeon’s textual analysis covers up to the 1740s and does not include Austen, his theoretical paradigm concerning “Questions of Truth” and “Questions of Virtue” outline the “instabilities” of class and social identity experienced by Austen’s hero and heroine in their struggle to override parental tyranny and avoid punishment from filial disobedience. Austen depicts how her characters, both intentionally and unintentionally, reject being victimized in the marriage market. Applying McKeon, I delineate how Austen challenges the class system and redefines social identity in her last chapter, by introducing a new paradigm in which parental tyranny is not in conflict with filial disobedience.

참고문헌 (17)

  1. Austen, Jane, "Northanger Abbey" (1995), Penguin
  2. Bander, Elaine, "Art and Artifact in Austen", pp.64~85 (2020), University of Delaware Press
  3. Benedict, Barbara, "Revising Women: Eighteenth-Century “Women’s Fiction” and Social Engagement", pp.147~199 (2000), Johns Hopkins University Press
  4. Benis, Toby R., "The Neighborhoods of Northanger Abbey", The Eighteenth Century : Theory and Interpretation, 56(2), pp.179~192 (2015)
  5. Chwe, Michael Suk-Young, "Jane Austen, Game Theorist" (2013), Princeton University Press
  6. Copeland, Edward, "Women Writing About Money: Women’s Fiction in England, 1780-1820" (1995), Cambridge University Press
  7. Gallagher, Catherine, "The Industrial Reformation of English Fiction: Social Discourse and Narrative Form, 1832-1867" (1985), University of Chicago Press
  8. Gill, Linda, "Jane Austen’s Northanger Abbey", Pennsylvania Literary Journal, 5(3), pp.36~57 (2014)
  9. Johnson, Claudia, "Jane Austen: Women, Politics, and the Novel" (1988), University of Chicago Press
  10. Jones, Hazel, "Jane Austen and Marriage" (2009), Continuum Books
  11. Loveridge, Mark, "Northanger Abbey: Or, Nature and Probability", Nineteenth-Century Literature, 46(1), pp.1~29
  12. Lynch, Deirdre Shauna, "The Economy of Character: Novels, Market Culture, and the Business of Inner Meaning" (1998), University of Chicago Press
  13. McKeon, Michael, "The Origins of the English Novel, 1600-1740" (1987), Johns Hopkins University Press
  14. Murray, Douglas, "‘She could not repent her resistance’: Northanger Abbey and the #MeToo Movement", Nineteenth-Century Gender Studies, 16(2), pp.1~15 (2020)[DOI]
  15. White, Laura Mooneyham, "Jane Austen and the Discourses of Feminism", pp.71~86 (1995), St. Martin’s Press
  16. Wyett, Jodi L., "Female Quixotism Refashioned: Northanger Abbey, the Engaged Reader, and the Woman Writer", The Eighteenth Century, 56(2), pp.261~276 (2015)
  17. Zlotnick, Susan, "From Involuntary Object to Voluntary Spy: Female Agency, Novels, and the Marketplace in Northanger Abbey", Studies in the Novel, 41(3), pp.277~292 (2009)

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