애니메이션 <모모와 다락방의 수상한 요괴들> 속에 나타난 일본인의 요괴인식과 요괴문화 활용 연구

Abstract

This paper attempted to focus on the Japanese's perception of Yokai and the use of Yokai culture in Momo and the Suspicious Yokai in the Attic. This work is a story of humans and Yokai centered on Momo and the three Yokai. Humans and Yokai in the work play a role as assistants and guardians who help each other, not in an opposing relationship. The fact that it was possible to set up in such a work is based on the Japanese perception of Yokai in the work. This is because the director who draws the work and the reader who appreciates the work have basic shared knowledge that subordinates to these Yokai contents, which can be said to be the basic Yokai perception of the Japanese. Based on this perception drawn in the work, the relationship between Momo and the Yokai could be established, and the changing perception of Momo's goblins could also be examined. In addition, it was confirmed that Japan's Yokai strategy, represented by "Hyakki Yagyō" was also applied in this work, and its contents were analyzed. Finally, by confirming the content tourism and Anime pilgrimage in which this work is being used, it was possible to confirm how this work contributes to regional revitalization by utilizing the Yokai culture.