조성음악의 연속성을 만드는 매개변수: 리듬적 음형의 기본과 변형
A Musical Parameter Forming Continuity in Tonal Music: Original Rhythmic Figure and Its Tranformations
2
조회
0
다운로드
8
인용
0
참고문헌
키워드
초록
It is important to have an expectation on next event in the flow of time in music. To create ways to make a continuation in music is relevant to satisfy the expectation. Thus we need prepared devices for the next event to have the expectation and let it go understanding them to be satisfied. In the present paper, I examine what kinds of common features make the musical continuation in two different phrases or sections considering rhythmic elements as the devices. The common features are the devices to lead the continuation of the time and power to induce the expectation in the flow of time. After the presentation of a figure, some of distinctive characters in the figure are selectively and partly sustained in the course of transformation of the figure, thus it is possible to trace the gradual processes to transform the figure in spite of the new figuration which is dissimilar to the basic one. This process is achieved during the time to make the continuation. In doing so, we have the answer about the following question: “If there are no rhythmic divisions, what kinds of connections can we hear between two different rhythmic patterns?” In addition, it might be understandable that some characteristic contents of the theme to be followed is prepared in advance to obtain “agree” based on the expectation in the flow of the time.
Abstract
It is important to have an expectation on next event in the flow of time in music. To create ways to make a continuation in music is relevant to satisfy the expectation. Thus we need prepared devices for the next event to have the expectation and let it go understanding them to be satisfied. In the present paper, I examine what kinds of common features make the musical continuation in two different phrases or sections considering rhythmic elements as the devices. The common features are the devices to lead the continuation of the time and power to induce the expectation in the flow of time. After the presentation of a figure, some of distinctive characters in the figure are selectively and partly sustained in the course of transformation of the figure, thus it is possible to trace the gradual processes to transform the figure in spite of the new figuration which is dissimilar to the basic one. This process is achieved during the time to make the continuation. In doing so, we have the answer about the following question: “If there are no rhythmic divisions, what kinds of connections can we hear between two different rhythmic patterns?” In addition, it might be understandable that some characteristic contents of the theme to be followed is prepared in advance to obtain “agree” based on the expectation in the flow of the time.
참고문헌 (18)
- 이내선, "연장된 종지 안에 내재되어 있는 선율의 이중적 기능: 종결과 연속", 서양음악학, (7), pp.267~292 (2004), 한국서양음악학회
- 이내선, "화성적 종지의 반복을 유도하는 선율적 연속성: 모차르트 피아노소나타의 제시부를 종결짓는 화성과 선율의 대립적 역할", 음악이론연구, 12, pp.49~70 (2007), 서양음악연구소
- Berry,Wallace, "Form in Music" (1986), Prentice Hall
- Berry,Wallace, "Structural Functions in Music" (1976), Prentice Hall
- Caplin,William E, "Classical Form" (1998), Oxford University Pres
- Cooper, Grosvenor, "The Rhythmic Structure of Music" (1960), The University of Chicago Press
- Hepokoski, James, "Elements of Sonata Theory: Norms, Types, and Deformation Late-Eighteenth-Century" (2006), Oxford University Press
- Kramer,Jonathan D, "The Time of Music: New Meanings New Temporalities New Letening Strategies" (1988), Schirmer Books
- Leichtentritt,Hugo, "Musical Form" (1967), Harvard University Press
- Mathes,James, "The Analysis of Musical Form" (2007), Prentice Hall
- Leonard B. Meyer, "음악구조의 분석적 이해" (1990), 세광출판사
- Roberts, Stella, "대위법: 16세기 스타일" (2000), 수문당
- Rosener, B. S, "Melodic Processes and the Perception of Music", pp.317~341 (1982), The Psychology of Music
- Rothgeb, "Design as a Key to Structure in Tonal Music. in Readings in Schenker Analysis and Other Approaches", pp.72~93 (1977), Yale University Press
- Rothstein,William, "Phrase Rhythm in Tonal Music" (1989), Schirmer Books
- Schoenberg, Arnold, "Fundamentals of Musical Composition" (1967), Faber & Faber
- Sheer,Miriam, "Comparison of Dynamic Practices in Selected Piano Sonatas by Clementi and Beethoven", Beethoven Forum, 5, pp.86~101 (1996)
- Stein, Leon, "Structure & Style: The Study and Analysis of Musical Forms. Expanded Edition" (1979), Summy-Birchared Music