20세기 성악 음악에서 음악과 가사의 액센트 구조에 관하여 -Dallapiccola's Sicut Umbra의 2악장을 중심으로

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참고문헌 (26)

1. "The 77 partitions of the Aggregate University of Rochester" (1992)
2. "Cros-Partition as Harmony and Voice Leading in Twelve-Tone Music", 23(1), pp.1~40 (2001)
3. "The 77 partitions of the Aggregate"
4. "University of Rochester" (1992)
5. "A Theory of Musical Meter", pp.335~413 (1984)
6. "Structure Functions in Music" (1976), Prentice-Hall
7. "The Rhythmic Structure of Music" (1960), Chicago University Press
8. "On the Twelve-Note Road", 4, pp.318~32
9. "Meeting with Anton Webern Pages from a Diary", pp.2~99 7 (1972)
10. "A Prolifertation of Canons Perspectives of New Music 23", 2, 1985185-195, ~
11. "Octatonic Elements in the Music of Luigi Dallapiccola", pp.35~48 (1985)
12. "Text and Form in Dalapiccola's Goethe-Lieder Perspectives of New Music", pp.98~111 (1979)
13. "The Music of Luigi Dallapicola" (2003), University of Rochester Press
14. "Segmentation and Proces in Post-Tonal Music", 3, pp.54~73 (1981)
15. "Phrase Formation in Post-Tonal Music Journal of Music Theory28", 1, 1984, 157~191
16. "The Time of Music" (1988)
17. "A Generative Theory of Tonal Music The MIT Press" (1983)
18. "Notated and Heard Meter", pp.116~129 (1986)
19. "A Theory of Segmental Association in Twelve-Tone Music", pp.180~207 (1962)
20. "Twelve-Tone Polarity in Late Works of Luigi Dalapiccola"
21. "Fragments from Conversation: Fragments from Conversation", 27(4), pp.294~372 (1966)
22. "Perspectives of New Music 15", 2, 1977, 34~57
23. "The Twelve-Tone Compositions of Luigi Dallapiccola", pp.289~310
24. "Dallapicola's Art of Canon", pp.95~106 (1963)
25. "Interpretations of Orderings of and in Pitch and Time Perspectives of New Music 13", 2, 1975182-203, ~
26. "A Calculus of Accent39", 1, 1995, pp.39(1), 1~46

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