17、18世纪朝鲜的书法美学-以玉洞李溆的《笔诀》为中心
The Aesthetics of Korean Calligraphy in the 17th and 18th Centuries-Centered on Yudong Li?
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“Bijue" is an unpublished collection of essays by Yu Dong-ri (1662-1723). From an academic perspective on the history of Korean calligraphy, it is a unique professional and high-level calligraphy theory book. This paper mainly uses “Tai Chi Yin and Yang Theory” to review the calligraphy theory included in Li Xu's “Bijue”, particularly in “Mixed Round Divided Judgment Drawing.” In general, “Completion” in Korean calligraphy history the name "is associated with "Dongguo Zhenti." This paper analyzes Yi Li's use of calligraphy to understand the influence of calligraphy on Dongguo Zhenti. Li Xu did not follow Wang Xizhi's script. His calligraphy was Wang Xizhi. It is based on learning Xizhi's calligraphy spirit and reasonably adding contemporary aesthetic consciousness and satisfying calligraphy. This is the so-called Donggu Jinti. Dongguo Zhenti is a calligraphy created based on the so-called "change at any time" of Yi Li thought. In other words, Li Xu's Dongguo Zhenti is an effort to find his subject through calligraphy, Li Xu advocates for modern people to understand the nature of the mind as well. We pursue the correct calligraphy spirit based on Zhouyi's "always change". You need to learn from Li Xu's diligent efforts and explore the true calligraphy spirit that fits the modern era.
Abstract
“Bijue" is an unpublished collection of essays by Yu Dong-ri (1662-1723). From an academic perspective on the history of Korean calligraphy, it is a unique professional and high-level calligraphy theory book. This paper mainly uses “Tai Chi Yin and Yang Theory” to review the calligraphy theory included in Li Xu's “Bijue”, particularly in “Mixed Round Divided Judgment Drawing.” In general, “Completion” in Korean calligraphy history the name "is associated with "Dongguo Zhenti." This paper analyzes Yi Li's use of calligraphy to understand the influence of calligraphy on Dongguo Zhenti. Li Xu did not follow Wang Xizhi's script. His calligraphy was Wang Xizhi. It is based on learning Xizhi's calligraphy spirit and reasonably adding contemporary aesthetic consciousness and satisfying calligraphy. This is the so-called Donggu Jinti. Dongguo Zhenti is a calligraphy created based on the so-called "change at any time" of Yi Li thought. In other words, Li Xu's Dongguo Zhenti is an effort to find his subject through calligraphy, Li Xu advocates for modern people to understand the nature of the mind as well. We pursue the correct calligraphy spirit based on Zhouyi's "always change". You need to learn from Li Xu's diligent efforts and explore the true calligraphy spirit that fits the modern era.