안악 3호분, 정가갑 5호분 그리고 봉태자분의 주악도 비교 고찰

Abstract

The purpose of this paper is to compare the mural tombs paintings of ancient Anak No. 3 Tombs, Dingziazha No. 5 Tomb and fèngtaizi (奉台子墳, third century) to find of the characteristics of Seorayangak (西凉樂). Anak No. 3 (357) has many similarities with China's fèngtaizi and Dingziazha No. 5 (丁家閘, 317-430). I compared two tombs with Anak No. 3 (安岳). Dingziazha No. 5 is located sinzang china, which was an import channel for central Asian culture (西域, western area). In seventh century, music of Goryeogi and Seoryanggi had many common instruments, and Seoryanggi is deeply related to central asian music. The X-shaped dance are similar to swastika of Indian dance, one of the 108 Indian dance movements. Geomungo is also closely related to India’s Veena and Thailand’s Jake and Cambodia’s Migyaun. In many countries, when the ruling class changes and the dynasty changes, the groups and music personalities of playing music is changed slowly. Therefore, the music of Anak No. 3 (安岳) is believed that it is Goguryeo music influenced by central Asian music. It is also considered that the string instrument on the knee of Anak 3 tomb is more likely to be a geomungo mentioned samguksagi (三國史記) rather than Chinese zither (琴).