古典과 現代 悼亡詩에 나타난 슬픔의 치유방식

Abstract

Domangsi is a genre that was written by the widowers who could not freely express their emotion in the society where was focused on reason that is a virtue of Confucianism, which it was only way to express their sorrow for losing their wives. It can be found on the classic works of poetry in China and Korea. This article compares the works of Kim jeonghee, Park gwanghun, Lee yonghyu, Lee dal and Chaepaengyun that were the representative Chinese poetry which has been pointed out in common by Park namsu, Lee eunyeong and the researchers for Domangsi with the works of Do jonghwan, Park namsu, Shin gyeong rim, Kim yeong rang, Kim gwansik and tries to find that their processing method of sorrow and the elegiac distiches are related with the healing of emotion. As the experience of bereavement is an extremely sense of loss that mankind experiences, the feeling what the family experiences immediately after bereavement has to go extremes. Immediately after bereavement, they may experience from the step of denying the death to the step of mourning such as the sense of guilty, longing, grief and the desire of unifying with the dead. The thesis that We have to consider is in that the healthy life may be restarted depending on how the living can break up with the dead. Therefore, it can be examined by dividing as follows depending on the degree of which a husband shows the sense of guilty and regrets and the longing atmosphere. First, it is a dynamic mourning with crying, which he cries aloud his great sorrow, second, the silence mourning with self-control- the longing atmosphere, third, the unified sorrow with the dead –as a thanatos urge, this is the developmental sorrow for recovering a main agent following the great sorrow, with this, a husband may return to the positive life, not a surplus life. This article has the final aim to find the idea of life and death in the Korean poets who had the experience to lose their wife or friends. In the Joseon dynasty period, the writing of men was under the suppressed atmosphere, but in Domangsi, as it was the exception, it was freely expressed the emotion. When it is examined by dividing into three items depending on the degree of expression, this can draw the rest of healthy life as they can ultimately share an unfulfilled love and longing with the dead. Therefore, Domangsi is a genre of healing literary. We can understand that the poetic literature that has the lyricism as its proper function may involve an aesthetics of sorrow that has a possibility to heal the emotion in good condition through the developmental mourning.