준경묘ㆍ영경묘 산도에 대한 비교 연구

Abstract

Jokbo (族譜) refers to a book containing genealogy records - lineage, marriage, etc. -of people sharing a same family name, or members of a certain clan among those sharing the family name in the order of their generations under a certain format and/or style. Sando (山圖) refers to a map portraying a natural topography as a propitious site according to the rules of feng shui. Jokbo and sando were created separately in different domains for different purposes: jokbo for systematical management of genealogy records in a family; and sando for depiction of topographical information of a certain space. Within the relevant academic fields including painting and map, sando has not been treated in a serious manner due to its characteristics such as the subjective, exaggerated expressions rather than realistic portrayal and coarseness of artistic qualities. However, some changes are observed in the composition of jokbo during the late Joseon Dynasty due to the advancements in study of rye (禮) and formation of clan rules, and one of the most significant among these changes is the inclusion of sando. It is thought that sando is introduced as a visual reference to overcome the limits of written references in describing the natural landscapes of the family's burial sites. Thus, jokbo and sando had been used together for efficient managements of family's genealogy information despite their differences in origins and expression methods. This study is to examine the sando of Junkyung and Youngkyung Tombs, which have been a subject of historical/academic interests as well as controversy among such sando created during Joseon Dynasty. Junkyung and Youngkyung Tombs have caused much controversy with its existence but, many clans in Jeonju Lee family started creating sando during the late Joseon Dynasty and Japanese colonial era. Such creation of sando of a single site in various perspectives within a short period of time can be a good case to examine the intention and information of the relevant persons because, the different expressions and portrayals reflecting the various circumstances of clans can be a good source in examining of the techniques and intentions of the creators. Through the process of examining such different characteristics in this study, it was learned that there certainly is a unique method of pictorialization for sando, and that the information contained are correct enough to prove the academic value of sando. It is thought that continued research on sando can be a good alternative to overcome the limits of written resources on spatial data of topography/geology.