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植民地朝鮮と日本の怪談 ー日韓併合前後における「怪談」概念の変容をめぐってー

A study on the Japanese ghost story in Cho-sun during the colonial time period, focused on the transformation of the “Goe-dam(괴담)” concept before and after the Japanese annexation of Korea

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주제분류일본어와문학

초록

1990年代後半に公開されたホラー映画『女高怪談』、『リング』などのヒットにより始まった韓国のホラーブームは、映画、テレビ、インターネット小説などの文化コンテンツの普及とともに定着した。ところが、このような韓国の「怪談」の歴史は最近に始まったわけではない。怖い話を楽しむ怪談文化は、1930年代を中心に日帝植民地時代に日本から導入されたとの見方が一般的である。だが、日帝当時にこれら日本式の「怪談」が、具体的にいつ、どのような形で定着したのかは明らかではない。本稿はこうした植民地期における「怪談」の受容過程を解明する一段階として、当時使われていた「怪談」という言葉の概念を検討している。日韓併合以前に出版された『大韓毎日申報』(1904-1910)は、合併後の朝鮮総督府の機関紙として、『毎日申報』とその名を改名した。1910年韓日合併を境にしてこれらの新聞における「怪談」の概念は「不謹慎な話」「根拠のない話」というものから、幽霊などが現れる「怖い話」へと変容と遂げていった。しかし、これらの背後には一見政治とは結び付かないように見える「怪談」という娯楽的な読物を通して、知識層以外の民衆読者をも獲得し日帝の政治性を巧妙に発信するというプロパガンダ的脈略があった。宗主国主管の朝鮮語新聞によって、本来の純粋な民衆の生活慣習や文化が、政治的な意図と結びついてごく自然なものとして朝鮮大衆の中に溶け込んでしまうという〈文化の歪み〉がもたらされていたのである。

Abstract

In the late 1990s, the Korean horror genre that was begun with the hit horror films, “Ghost Story Series of Girls’High School” and “Ring,” etc. has been well-established through the popularzing of the cultural content of films, TV and the Internet-novel, etc. Actually, the history of these Korean Ghost stories has a longer duration. The culture of the Ghost-story, wherein one enjoys the scary stories introduced from Japan during the Japanese colonial period in the 1930s, is already generally recognized. However, the manner and timing of the settlement of the Japanese “ghost story” were not clear so specifically at the time, This paper reviews the concept of the word “ghost story” in Korea during the colonial time period as being the first step of the investigation, and reveals the facts of the process of the acceptance of the “ghost story.” The 「Dae-han Maeilshinbo」daily newspaper (1904-1910) that was published before the Japanese annexation of Korea was renamed as 「Maeilshinbo」, serving as an organ for the Japanese Government General after the Japanese annexation of Korea. With Japanese annexation of Korea in 1910, The concept of ‘ghost stories’ from these news papers was transformed into a “scary stories” which ghosts appeared from the meaning of “intolerable story” and “baseless story”. In this background, there was a context the propaganda that revealed artful political inclinations of the Japanese empire that tried to acquire not only the intellectual classes but also populace readers through the pleasure of reading of the ‘ghost stories’ which looked like non-relationships with any politics. In other words, these ghost stories was inserted in the Korean language newspaper published with political purpose by the Japanese empire, the Japanese cultural could be entered spontaneously without any aversion to the pure living customs and culture of Korean people.

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