여성 지식인 기각(綺閣)의『기각한필(綺閣閒筆)』연구

Abstract

This article is designed to investigate the characteristic aspects identified in the world of the times, using Gigak’s Gigak Hanpil, a female intellectual in the 19th century, as the main research object. In Chapter 2, before examining Gigak’s literature in earnest, the Korean Chinese literature creation pattern of female intellectuals was reviewed, and then the trend of how women’s literature was studied in Korean Chinese literature was summarized. In addition, the foundation for the study was laid by examining the entire collection of Gigak Hanpil poems. Next, in Chapter 3, Gigak Hanpil’s characteristics were divided into three categories, and the first was ‘expression of camaraderie with the author and poetic meeting’, to pay attention to how the rejection interacted with other intellectualss and in what ways he expressed a sense of similarity. By the 19th century, it can be confirmed that women’s literature was active unlike the previous period, and the appearance of women’s gatherings, which can be confirmed in the work of the rejection, is meaningful in that it shows that women’s literature was socially developed at the time. The second looked into the inner desire of the creator to engage in literary activities under the theme of ‘Creator’s Fundamental Desire, Beyond Limits,’ while at the same time recognizing the limitations of women. Literary expression and expression of oneself can be said to be human’s natural desire, and in the case of rejection, it was confirmed that he recognized the limitation of being a woman and expressed his feelings about it in poetry. The third is ‘aiming for a fantastic space, the creation of Yusun literature and its meaning,’ and here, we tried to discover the characteristics of women’s literature identified in the poetry world of rejection. If you look for the aesthetics of difference that only women’s literature has, it can be discussed in the tradition and succession aspects of Yusun-si’s creation, and it can be confirmed that references to the fresh world are often detected in Gigak’s works.