The Illusion of Newness: Coney Island and Stilled Popular Culture
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The research analyzes the propensity of production and consumption of popular culture in early twentieth-century America, with a case study on Coney Island, New York. The flowering of urban culture, alongside the increase in the amount of leisure time among the working class, supports the development of the Brooklyn seashore, transforming the area with resorts, amusement parks, and other recreational activities. The masses are in support of the creation of a time and place for this temporary utopia where the division among race, sex, class, and religion diminishes in the form of festivals. In other words, the mass culture - different from the genteel tradition of the previous era - procreates its support and products in the amusement in Coney Island, with sideshows as its extreme. The sideshows, which primarily feature human wonders and exotic entities, showcase the festive atmosphere of amusement parks through their grotesque displays. These attractions cater to the tastes and delight of ordinary people seeking cultural experience of their own. Although the advance of science and a renewed sense of entertainment—along with social movements that have made aforementioned social mixtures normal—sweep out the attractions of Coney Island, the abnormality of human bodies still grasp popular imagination that distills nostalgic nuances even today.
Abstract
The research analyzes the propensity of production and consumption of popular culture in early twentieth-century America, with a case study on Coney Island, New York. The flowering of urban culture, alongside the increase in the amount of leisure time among the working class, supports the development of the Brooklyn seashore, transforming the area with resorts, amusement parks, and other recreational activities. The masses are in support of the creation of a time and place for this temporary utopia where the division among race, sex, class, and religion diminishes in the form of festivals. In other words, the mass culture - different from the genteel tradition of the previous era - procreates its support and products in the amusement in Coney Island, with sideshows as its extreme. The sideshows, which primarily feature human wonders and exotic entities, showcase the festive atmosphere of amusement parks through their grotesque displays. These attractions cater to the tastes and delight of ordinary people seeking cultural experience of their own. Although the advance of science and a renewed sense of entertainment—along with social movements that have made aforementioned social mixtures normal—sweep out the attractions of Coney Island, the abnormality of human bodies still grasp popular imagination that distills nostalgic nuances even today.
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