把溪寺 二應庵 熾盛光如來圖와 消災菩薩圖 도상연구

Abstract

To East Asians who were accustomed to the viscous culture of predicting the fate of the country and the king by reading the changes in the sky, India's destiny astrological, the transmission of Guyoshi, which predicts the future according to the real name of an individual, was a cultural shock. The influence of Guyo belief is reflected in various ways in Chinese horoscope and Japanese Onmyodo. Also, the influence of Guyo can be examined through the Buddhist holy belief of Chiseong Gwangnyeo in Korean temples. Chiseong Gwangnyeoraedo and Jajibosaldo, which were enshrined in the Jiaeungjeon Hall of Pagyesa Yi Eungam, the royal family's congratulatory party, were all 11-wide Buddhist paintings. The reason why Chiseong Gwangnyeo and Chilseong were divided into various widths is to pray according to the individual's real name. In the process of the purpose of faith becoming secularized as a simple belief, the form of Buddhist painting composed of many widths became simplified and changed into one width. To enshrine a multi-width Buddhist painting, a separate building had to be used, so in a situation where the composition of the building had to be reduced, paintings with various widths were not suitable for the temple. This would have been another reason for the gradual disappearance. The Chiseong Gwangnyeorae Samjon and Chilseonggakbu, which were enshrined in the Ieungam Jaeungjeon Hall of Pagyesa Temple, are important relics that can be seen in the form of the Buddhist real name belief that changed in accordance with the times. The Buddhist painting, created in 1717 by Chejun, a painter of the Palsong Shan School, is the only example of the Chiseong Gwangnyeojon painted on each canvas. In addition, Pagyesa Temple Ieungam Chiseong Gwangyeoraedo and Material Bodhisattva were created in the earliest period among the existing Chiseong Gwangyeoraedo produced in Gyeongsang-do, and provide clues to confirm the existence of the current Chiseong Gwangyeorae Samson's ancestor. The Chiseong Gwangnyeo-rae Samjon and Chilseonggakbu, which were enshrined in the Lee Yongam Jae-eungjeon, are also of great historical value as they were produced with filial piety by King Yeongjo, to pray for his mother, Sookbin Choi, for a long, healthy life.