함동정월 가야금산조의 장단 고찰－진양조와 중중모리 장단을 중심으로－

Abstract

Music was influenced by the environment of life and it was played through Sanjo. Ham Dong-jeongwonl, who was born into a family of musicians and had different musical and artistic characteristics, learned Gayageum from his teacher Choi Ok-sam. Ham Dong-jeongwol restores the melody he learned from Choi Ok-sam at the age of 12 by meeting Kim Myung-hwan after 17 years. Jinyangjo and Jungjungmori rhythm of Hamdongjeongwol Gayageum are as follows. First, In Jinyangjo, the sound of the gayageum is played freely regardless of the 24-night frame, but the JangDan accompaniment is performed in the 24-night frame of the Gi-Kyeong-Kyeol-Hae. Second, they borrowed a style similar to the form of PanSori 'Naedrum' from the introduction of Jinyangjo Gayageum (Usjo). Third, Kemyeonjo plays the same rhythm variations as the gayageum melody in Jinyangjo to change the mood of Jinyangjo and inspire audiences and performers. Fourth, in Saeng-sam-cheong, the melody and rhythm of a 24-night piece of rhythm and rhythm are made up and moved to Jungmori. Fifth, the characteristic rhythm form of 3.3.2.2.2 in the rhythm structure of the gayageum is used to create a dynamic and lively rhythm. Sixth, Jungjungmori melody is divided into the first (low-pitched), high-pitch (low-pitched) and low-based parts. Jangdan is also played in melodramatic style, in a contrasting and complementary way. Hamdongjeongwol Sanjo, along with pansori, understood and learned the ancient style and composed the music as a ' jangdan unit.