광주 용연 농악의 음악적 특징과음악 문화권적 의미

Abstract

Nongak is handed down in Yongyeon Village in Dong-gu, Gwangju. Until now, the transmission of Nongak in Gwangju has been biased in the western region, and there has been no known Nongak in the eastern region. Since Gwangju is a large city, it should be a place where explosive creativity is expressed by gathering and mixing cultures from various cultures. Therefore, even now, attention should be paid to the cultural characteristics of eastern Gwangju and the transmission of Nongak. In Yongyeon Nongak, the village community's Nongak and modern Nongak activities are fully remembered. In particular, the belief in the village god works meaningfully in the composition and performance of Nongak. Above all, the traditional rhythm of Yongyeon Nongak is well preserved. I think it is a valuable opportunity to have such traditional Nongak in the city. But active measures are needed to revitalize these contents. It is more urgent than anything else to conduct on-site surveys to record, give repeated opportunities to perform, boost the skills of Nongak performers and create a base for people's participation. This is because intangible heritage loses its vitality as soon as it is not played.