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The Strangers in Chang-dong Lee’s Burning and Chan-wook Park’s Decision to Leave

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As the Korean cinema industry has developed throughout the years, key screenwriters such as Chang-dong Lee, Chan-wook Park, Jun-ho Bong, and Ki-young Kim produced many films on Korean society, diaspora, and cultural and social issues of Korea through the screen. Chang-dong Lee’s Burning and Chan-wook Park’s Decision to Leave cover the theme of the strangers in Korean society. In Burning Jong-su and Hae-mi portray the working class and Ben represents the upper class, and in Decision to Leave, Seo-rae portrays the Chinese immigrant. These figures let us question the social and cultural context of Korean society and our relationship with these socially dis/advantaged others. First, I will analyze the historical context of Korean cinema in the 21st Century, and then I will analyze the two films in terms of the carnival and biopower. Then, I explore the representations of the strangers in the two films. In conclusion, I will interpret the role and meaning of the representations of strangers in Korean film.

Abstract

As the Korean cinema industry has developed throughout the years, key screenwriters such as Chang-dong Lee, Chan-wook Park, Jun-ho Bong, and Ki-young Kim produced many films on Korean society, diaspora, and cultural and social issues of Korea through the screen. Chang-dong Lee’s Burning and Chan-wook Park’s Decision to Leave cover the theme of the strangers in Korean society. In Burning Jong-su and Hae-mi portray the working class and Ben represents the upper class, and in Decision to Leave, Seo-rae portrays the Chinese immigrant. These figures let us question the social and cultural context of Korean society and our relationship with these socially dis/advantaged others. First, I will analyze the historical context of Korean cinema in the 21st Century, and then I will analyze the two films in terms of the carnival and biopower. Then, I explore the representations of the strangers in the two films. In conclusion, I will interpret the role and meaning of the representations of strangers in Korean film.

참고문헌 (16)

  1. Ahmed, Sara, "Strange Encounters: Embodied Others in Post-Coloniality" (2000), Routledge
  2. Bakhtin, Mikhail, "Cultural Theory and Popular Culture: A Reader" (1994), University of Hong Kong
  3. Foucault, Michel, "The History of Sexuality: An Introduction Vol. Ⅰ" (1998), Penguin Books
  4. Han, Gwi-Eun, "The Subjectification in the Movie Burning -Beyond the Exceptional State and Institutionalized Depression", The Korean Language and Literature, 142 (2018)
  5. Hynes, William J, "Mythical Trickster Figures: Contours, Contexts, and Criticisms Tuscaloosa" (2009), The University of Alabama Press
  6. Jeon, Joseph, "Fire City: Paju and Burning", Situations, 14(2) (2021)
  7. Lee, Yun-Jong, "Racialization Intersected with Race and Class Struggles: Reexamination of Ben’s Character in a Film, Burning", Asian Cinema Studies, 16(1) (2023)
  8. Lee, Yunmi, "Immigrant Women’s Diaspora and Changes in Film Representation: Focusing on Failan, MISSING: The Disappeared Woman, and Decision to Leave", Cinema Studies, 98 (2023)
  9. "이창동 감독이 해석한 ‘버닝’ 비하인드" (2018)[URL]
  10. Park, Seung Hyun, "Seoul Searching: Culture and Identity in Contemporary Korean Cinema" (2007), State University of New York Press
  11. Robinson, Michael, "New Korean Cinema Edinburgh" (2005), Edinburgh University Press
  12. Shin, Chung-Shig, "‘Naked’ Life Burns: A Phenomenological Study of Lee Chang-dong’s Movie, Burning", Phenomenology and Modern Philosophy, 86 (2020)
  13. "Burning directed by Chang-dong Lee, CGV Arthouse", ~ (2018)
  14. "Decision to Leave directed by Chan-wook Park, Mohofilm", ~ (2022)
  15. "Memoir of a Murderer directed by Won Shin-yun, Showbox", ~ (2017)
  16. "Parasite directed by Jun-ho Bong, Barunson E&A", ~ (2019)

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