East Asian Femmes Fatales, Translated Memories and Imaginations of Mixed Descent
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
Xishi and Daji, beautiful women appearing in ancient unofficial histories and Empress Dowager Cixi (Cixi Taihou), the last sovereign ruler of the great empire have been recalled as representative Chinese evil women. Three women who have been narrated as those who represent pre-modern China have been long consumed vulgarly through hidden histories of the Royal Court. However, Chinese ancient women were progressively re-interpreted by translating European modern literature in the early 1920s. Geonsik Yang, the double translator (second-hand translator) of A Doll’s House written by Henrik Ibsen, translated Xishi’s story novelized from the Japanese language and published in Shanghai. He also captured Nora’s images from Chinese modern plays about Wenjun Zhuo, Zhaojun Wang, Guifei Yang, and Jinlian Pan. Myounghui Jo’s drama, Pasa, featuring Daji as the protagonist, was affected by Oscar Wild’s Salome, but was turned to a historical play about public intention to resist ruling classes. On the other hand, Empress Dowager Cixi’s story which began to be narrated just after Xinhai Revolution and had been repeated up to Pearl S. Buck’s novel in the 1950s showed aversion and mockery toward Chinese women, while reproducing popularly the downfall of the Qing Dynasty and hidden history of the Royal Court.
Abstract
Xishi and Daji, beautiful women appearing in ancient unofficial histories and Empress Dowager Cixi (Cixi Taihou), the last sovereign ruler of the great empire have been recalled as representative Chinese evil women. Three women who have been narrated as those who represent pre-modern China have been long consumed vulgarly through hidden histories of the Royal Court. However, Chinese ancient women were progressively re-interpreted by translating European modern literature in the early 1920s. Geonsik Yang, the double translator (second-hand translator) of A Doll’s House written by Henrik Ibsen, translated Xishi’s story novelized from the Japanese language and published in Shanghai. He also captured Nora’s images from Chinese modern plays about Wenjun Zhuo, Zhaojun Wang, Guifei Yang, and Jinlian Pan. Myounghui Jo’s drama, Pasa, featuring Daji as the protagonist, was affected by Oscar Wild’s Salome, but was turned to a historical play about public intention to resist ruling classes. On the other hand, Empress Dowager Cixi’s story which began to be narrated just after Xinhai Revolution and had been repeated up to Pearl S. Buck’s novel in the 1950s showed aversion and mockery toward Chinese women, while reproducing popularly the downfall of the Qing Dynasty and hidden history of the Royal Court.
참고문헌 (27)
- Chang, Jung, "Seo Taehu Vol. 1-2" (2015), Chaekgwa Hamke
- Choi, Hoseok, "Basic research on Print-edited Classical Novels" (2017), Bogosa
- Choi, Hoseok, "Bibliographic Database on Print-edited Classical Novels" (2017), Bogosa
- Chun, Sunglim, "Love and Sexuality in Modern China" (2016), Somyoung Chulpan
- Conn, Peter, "Biography of Pearl Buck" (2004), Eunhaeng Namu
- Funke, Peter, "Oscar Wilde" (1999), Hangilsa
- 홍선영, "제국의 文化領有와 外地巡行 －天勝一座의 <살로메> 景福宮 공연을 중심으로－", 일본근대학연구, (33), pp.333~346 (2011), 한국일본근대학회[DOI]
- Im, Ugyeong, "National Narrative and Gender in Modern China" (2014), Changbi
- Jeon, Hyeja, "Kim Dongin gwa Oscarism" (2004), Gukhak Jaryowon
- Jeong, Deokjun, "Poseok Jo Myounghui’s Perception of Reality:Focusing on Kim Youngil’s Sa and Pasa", Eomun Nonjib, 22, pp.193~207 (1981)
- 4Jeong, Hosoon, "A Study on the plays of Cho Myunghee", Hanguk Yeongeukhak, 10, pp.25~46 (1998)
- Jeong, Jaeseo, "Origin of East Asia Women" (2009), Ewha Womans University Press
- 정갑준, "「파사(婆娑)」,「난파(難破)」,「산돼지」 속에 나타난 표현주의 기법연구", 시학과 언어학, (17), pp.139~166 (2009), 시학과언어학회
- Kim, Byeongcheol, "A Study on the History of Contemporary Literature in Translation vol. 1" (1998), Eulyu Munhwasa
- Kim, Jaeseok, "Formation of Modern Play in Colonial Joseon" (2017), Yeongeuk gwa Ingan
- Kim, Jingi, "A Study on Jo Myounghui’s Plays", Sahoegwahak Yeongu, 3, pp.275~294 (1990)
- Kum, Bohyun, "A Study on the Modern Korean Translation of the Salome in 1920s", MA, pp.2019
- Liu, Xiang, "Biographies of Exemplary Women" (2013), Geul Hangari
- Nakamura, Toshiko, "Ibsen Phenomenon in Japan: 1906~1916" (1997), Kyushu University Press
- 박진영, "번역된 여성, 노라와 시스(西施)의 해방", 민족문학사연구, (66), pp.327~348 (2018), 민족문학사연구소
- Park, Jinyoung, "Birth of a Translator and East Asian Literature" (2019), Somyoung Chulpan
- Park, Changseok, "Beardsley or fin-de-siècle Scenery" (2004), Hangil Art
- Song, Jaeil, "A Study on Jo Myounghui’s Pasa", Hanguk Eoneo Munhak, 27, pp.295~312 (1989)
- Wilde, Oscar, "Oscar Wilde Mihak Gangui: The Soul of Man under Socialism" (2018), Jobssal Hanal
- 윤민주, "현철의 중역(重譯) 텍스트 「戱曲 사로메」에 나타난 중층성의 징후들", 어문론총, (62), pp.509~553 (2014), 한국문학언어학회[DOI]
- Zhang, Jing, "Modern China and the Discovery of “Love”" (2007), Sonamu
- Zhang, Kun, "A Study on Korean Classical Novels with Chinese Female Characters", PhD, pp.2017