영화 <나와 나의 XX(我和我的XX)> 시리즈를 통해 본 중국 재현과 그 의미

Abstract

This study covers the films My People, My Country (2019), My People, My Homeland (2020) and My Country, My Parents (2021), i looked at what specific messages each film was conveying through the Chinese representation aspects. My People, My Country is set against the backdrop of Chinese historical events and recognizes individuals who sacrificed themselves for the country through video media. Characters appear in videos to receive approval from others or to recognize the nation’s achievements as their own through the nation’s official media. Additionally, these achievements are transmitted to the world through video, once again gaining approval through the eyes of others. My People, My Homeland shows the development of rural areas through the contrast between the past and the present. The appearance of rural areas that have been renovated through scientific technology and environmental improvement shows that large-scale rural policies are affecting the daily lives of individuals, and at the same time, it calls for the return of talented people who have left their hometowns and the visits of city people. My Country, My Parents looks at China from the Second Sino-Japanese War to 2050, and positively depicts the dedication and efforts of my father’s generation. The father’s goals in the movie are deeply related to the country’s policies, and future generations are carrying on the father’s will and making new achievements. This suggests that the spirit of China’s public father will continue to be passed on to the next generation.