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예술과 사회적 리얼리티 사이의 역동적 관계의 모색: 마가렛 앳우드의 시 「서클 게임」의 말하는 주체

The Dynamic Relation Between Art and Social Reality: The Speaking Subject in Margaret Atwood’s The Circle Game

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The Victorian era was a golden age for children’s literature. Changes in the social and historical conditions brought positive change to it. The French Revolution, the Industrial Revolution, modernization, individualism, family ideology, educational system, Romanticism, and the advent of child reader are very important points to children’s literature. In the early stages of a printed literature, there are few or no books published specifically for children. Perhaps a few books are intended for broadly educational purposes, such as courtesy or behaviour books. In the situation children, as they learn to read, long for ‘their’ books which appeal to them. Gradually stories written specially for children being to appear and eventually demands for books to meet a variety of interests and special needs emerge. The economic and social transformation is closely connected with children’s literature. It has important social and literary functions, and it offers social and literary meaning as well as enchantment. The printed works produced ostensibly to give children’s spontaneous pleasure and not primarily not to teach them, nor solely to make them good. Through these views, we need to enlarge the children’s literature as a social and historical products.

Abstract

The Victorian era was a golden age for children’s literature. Changes in the social and historical conditions brought positive change to it. The French Revolution, the Industrial Revolution, modernization, individualism, family ideology, educational system, Romanticism, and the advent of child reader are very important points to children’s literature. In the early stages of a printed literature, there are few or no books published specifically for children. Perhaps a few books are intended for broadly educational purposes, such as courtesy or behaviour books. In the situation children, as they learn to read, long for ‘their’ books which appeal to them. Gradually stories written specially for children being to appear and eventually demands for books to meet a variety of interests and special needs emerge. The economic and social transformation is closely connected with children’s literature. It has important social and literary functions, and it offers social and literary meaning as well as enchantment. The printed works produced ostensibly to give children’s spontaneous pleasure and not primarily not to teach them, nor solely to make them good. Through these views, we need to enlarge the children’s literature as a social and historical products.

참고문헌 (19)

  1. Atwood, Margaret., "The Animals in That Country" (1968), Oxford UP
  2. Atwood, Margaret., "The Circle Game" (1966), Anansi
  3. Atwood, Margaret., "Second Words: Selected Critical Prose" (1982), Anansi
  4. Atwood, Margaret., "Survival: A Thematic Guide to Canadian Literature" (1972), Anansi
  5. Barzilai, Shuli., "“Who Is He?: The Missing Persons Behind the Pronoun in Atwood’s Surfacing”", Canadian Literature, 164, pp.57~79 (2000)
  6. Foster, John Wilson., "The Poetry of Margaret Atwood”", Canadian Literature, 74, pp.5~20 (1977)
  7. Freud, Sigmund., "“The Uncanny”. The Standard Edition of the Complete Psychological Works of Sigmund Freud. Ed. and trans. James Strachey, Vol. 17, London: Hogarth. 217-52", 217~252
  8. Hengen, Shannon., "Margaret Atwood’s Power: Mirrors, Reflections and Images in Select Fiction and Poetry" (1993), Second Story Press
  9. Howells, Coral Ann., "Margaret Atwood" (2005), Palgrave Macmillan
  10. Kristeva, Juliet., "Powers of Horror: An Essay on Abjection" (1982), Columbia UP
  11. Kristeva, Juliet., "Strangers to Ourselves" (1991), Columbia UP
  12. McCombs, Judith, "Atwood’s Haunted Sequences: The Circle Game, The Journals of Susanna Moodie, and Power Politics”. The Art of Margaret Atwood: Essay in Criticism", pp.35~54 (1981), Anansi
  13. Nicholson, Colin, "“Living on the Edges: Constructions of Post-Colonial Subjectivity in Atwood’s Early Poetry”. Margaret Atwood: Writing and Subjectivity: New Critical Essays", pp.11~50 (1994), Macmillan
  14. Rao, Eleonora., "Strategies for Identity: The Fiction of Margaret Atwood" (1993), Peter Lang
  15. Robinson, Sally., "“The Anti-Logos Weapon: Multiplicity in Women’s Text”", Contemporary Literature, 29, pp.105~124 (1988)
  16. Suarez, Isabel Carrera., "“‘Yet I Speak, Yet I Exist’: Affirmation of the Subject in Atwood’s Short Stories”. Margaret Atwood: Writing and Subjectivity: New Cirtical Essays", pp.230~247 (1994), Macmillan
  17. VanSpanckeren, Kathryn, "“Shamanism in the Works of Margaret Atwood.” Margaret Atwood: Vision and Forms", pp.183~204 (1988), South Illinois UP
  18. Wineapple, Brenda., "“Margaret Atwood’s Poetry: Against Still Life”", Dalhousie Review, 62, pp.212~222 (1982)
  19. York, Lorraine M., "“The Habits of Language: Uniform(ity), Transgression and Margaret Atwood.”", Canadian Literature, 126, pp.6~19 (1990)

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