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7센트에 사서 5센트에 팔면 3.25센트의 이익이 남는다 - 부조리, 자본주의, 『캐치-22』

How can one make a profit of 3.25 cents when buying for 7 cents and selling for 5 cents apiece? ― Absurdity, Capitalism, and Catch-22

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The study abroad as well as domestic of Joseph Heller’s Catch-22, one of the representative WWII American texts, has not been sufficient enough for some unidentified reasons in the scholastic and critical world, despite the fact that its publication produced a new coinage, “Catch-22” in the English vocabulary. One can discern from the listed bibliography that there have been two ways in interpreting the texts in the rough: one focuses on its representation of absurdity, the other, its critique of capitalism and institution. This paper, however, argues that Yossarian’s absurd world and Milo Minderbinder’s world of capitalism can be interchangeable in that capitalism entails in a way absurdity itself in its genesis and nature. Milo’s calculation that he can make a profit of 3.25 cents when buying for 7 cents and selling the same product for 5 cents is notorious for its absurd reasoning which, however, happens a lot in the world of capitalism. In the real world where absurdity reigns, Yossarian cannot be judged insane because he is insane. However, he could escape from the complex world of absurdity and capitalism by engaging and adopting the economy of distribution and gift, while avoiding the economic mode of production and consumption. When he treats Nately’s whore’s sister as human being, when he treats other as self in the world of distribution and gift, his imagined trip to the utopian Sweden could remain as a possibility to pursue, regardless of the utopian negativity in human history.

Abstract

The study abroad as well as domestic of Joseph Heller’s Catch-22, one of the representative WWII American texts, has not been sufficient enough for some unidentified reasons in the scholastic and critical world, despite the fact that its publication produced a new coinage, “Catch-22” in the English vocabulary. One can discern from the listed bibliography that there have been two ways in interpreting the texts in the rough: one focuses on its representation of absurdity, the other, its critique of capitalism and institution. This paper, however, argues that Yossarian’s absurd world and Milo Minderbinder’s world of capitalism can be interchangeable in that capitalism entails in a way absurdity itself in its genesis and nature. Milo’s calculation that he can make a profit of 3.25 cents when buying for 7 cents and selling the same product for 5 cents is notorious for its absurd reasoning which, however, happens a lot in the world of capitalism. In the real world where absurdity reigns, Yossarian cannot be judged insane because he is insane. However, he could escape from the complex world of absurdity and capitalism by engaging and adopting the economy of distribution and gift, while avoiding the economic mode of production and consumption. When he treats Nately’s whore’s sister as human being, when he treats other as self in the world of distribution and gift, his imagined trip to the utopian Sweden could remain as a possibility to pursue, regardless of the utopian negativity in human history.

참고문헌 (28)

  1. 공명수, "?Catch-22에 나타난 현대사회의 과실재와 부조리성?", 영어교육연구, 20, pp.481~508 (2000)
  2. 김상봉, "서로 주체성의 이념: 철학의 혁신을 위한 서론" (2007), 길
  3. 오세찬, "조셉 헬러의 캐치-22에 나타난 부조리의 세계", 영미문화, 2(1), pp.225~242 (2002)
  4. 정상준, "캐치-22’의 세계에서 트랄파마도어로 - 1960년대의 미국 소설", 실천문학, 39, pp.339~347 (1995)
  5. 정연선, "미국전쟁소설: 남북전쟁으로부터 월남전까지" (2002), 서울대출판부
  6. Adorno, Theodore, "Minima Moralia. 1951. ?미니마 모랄리아: 상처받은 삶에서 나온 성찰」. 김유동 옮김. 서울: 길, 2005", ~ (1951)
  7. Craig, David M., "Tilting at Mortality: Narrative Strategies in Joseph Heller’s Fiction" (1997), Wayne State UP
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  10. Harris, Charles., "Contemporary American Novelists of the Absurd" (1971), College and University P
  11. Heller, Joseph., "Catch-22" (1961), Simon & Schuster
  12. Heller, Joseph., "“An Impolite Interview with Joseph Heller.”", pp.273~293 (1962), Kiley & McDonald
  13. Heller, Joseph., "“Joseph Heller Replies.”", The Realist, 50, pp.18~31 (1964)
  14. Kiley, Frederick, "A Catch-22 Casebook" (1973), Thomas Y. Crowell Co.
  15. Marx, Karl., "Capital I. 1887. ?자본론」I. 김수행 역. 서울: 비봉, 2003", ~ (1887)
  16. Merrill, Robert., "Joseph Heller", Twayne, ~ (1987)
  17. Miller, Wayne C., "“Catch-22: Joseph Heller’s Portrait of American Culture -- The Missing Portrait in Mike Nichols’ Movie.”", pp.383~390, Kiley & McDonald
  18. Nagel, James., "Critical Essays on Catch-22" (1974), Dickenson Pub. Co
  19. Nagel, James., "Critical Essays on Joseph Heller" (1984), G. K. Hall
  20. Olderman, Raymond M., "Beyond the Wasteland: The American Novel in the Niniteen-Sixties" (1972), Yale UP
  21. Potts, Stephen W., "Catch-22: Antiheroic Anti-Novel" (1989), Twayne
  22. Ritter, Jesse., "“Fearful Comedy: Catch-22 as Avatar or the Social Surrealist Novel.”", pp.73~86, Kiley & McDonlad
  23. Seltzer, Leon F., "“Milo’s ‘Culpable Innocence’: Absurdity as Moral Insanity in Catch-22.”", pp.74~92, Nagel
  24. Sniderman, Stephen L., "“‘It Was All Yossarian’s Fault’: Power and Responsibility in Catch-22.”", pp.33~39, Nagel
  25. Solomon, Eric., "“From Christ in Flanders to Catch-22: An Approach to War Fiction.”", pp.94~101, Kiley & McDonald
  26. Stern, J. P., "“War and the Comic Muse: The Good Soldier Schweik and Catch-22.”", Comparative Literature, 3, pp.193~216 (1968)
  27. Tanner, Toni., "City of Words: American Fiction 1950-1970" (1971), Harper & Row
  28. Way, Brian., "“Formal Experiment and Social Discontent.”", Journal of American Studies, 21(2), pp.253~270 (1968)

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