A War of Stories, Spirits, and Conspiracies in Leslie Marmon Silko’s Almanac of the Dead
1
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This essay investigates the ways in which Silko, in Almanac of the Dead, attempts to expand the Native American storytelling tradition in order to facilitate the empowerment of political and narrative authority that has long been denied to the indigenous people in America, especially under the paranoid logic of American Cold War anti-communism. Subsuming Cold War history under the ancient history of Native American war for the land, Silko impregnates the mode of conspiracy narrative with Native spirituality and creates a genre of “revolutionary entertainment,” which, refusing to read Native American history in terms of victimization and pessimism, unapologetically revels in, rather than meekly or defensively exploits, the paranoid imagination and apocalyptic fantasy that characterize most white Cold War paranoid narratives. In Almanac, Silko unbridles the paranoid energy of Cold War conspiracy narrative and channels it into a cosmic narrative explosion of revolutionary fantasies and prophecies.
Abstract
This essay investigates the ways in which Silko, in Almanac of the Dead, attempts to expand the Native American storytelling tradition in order to facilitate the empowerment of political and narrative authority that has long been denied to the indigenous people in America, especially under the paranoid logic of American Cold War anti-communism. Subsuming Cold War history under the ancient history of Native American war for the land, Silko impregnates the mode of conspiracy narrative with Native spirituality and creates a genre of “revolutionary entertainment,” which, refusing to read Native American history in terms of victimization and pessimism, unapologetically revels in, rather than meekly or defensively exploits, the paranoid imagination and apocalyptic fantasy that characterize most white Cold War paranoid narratives. In Almanac, Silko unbridles the paranoid energy of Cold War conspiracy narrative and channels it into a cosmic narrative explosion of revolutionary fantasies and prophecies.
참고문헌 (12)
- Bale, Jeffrey M., "Political Paranoia v. Political Realism: On Distinguishing Between Bogus Conspiracy Theories and Genuine Conspiratorial Politics", Patterns of Prejudice, 41(1), pp.45~60 (2007)
- Coltelli, Laura, "Conversations with Leslie Marmon Silko", pp.119~134 (2000), UP of Mississippi
- Diemert, Brian, "Uncontainable Metaphor: George F. Kennan’s ‘X’Article and Cold War Discourse", Canadian Review of American Studies, 35(1), pp.21~55 (2005)
- Donnelly, Daria, "Leslie Marmon Silko: A Collection of Critical Essays", pp.245~259 (1999), U of New Mexico P
- Fischer-Hornung, Dorothea, "Economies of Memory: Trafficking in Blood, Body Parts, and Crossblood Ancestors", Amerikastudien, 47(2), pp.199~221 (2002)
- Irmer, Thomas, "Conversations with Leslie Marmon Silko", pp.146~161 (2000), UP of Mississippi
- Jarman, Michelle, "Exploring the World of the Different in Leslie Marmon Silko’s Almanac of the Dead", MELUS, 31(3), pp.147~168 (2006)
- Niemann, Linda, "Conversations with Leslie Marmon Silko", pp.107~112 (2000), UP of Mississippi
- Sharp, Joanne P, "Condensing the Cold War: Reader’s Digest and American Identity" (2000), U of Minnesota P
- Silko, Leslie Marmon, "Almanac of the Dead" (1991), Simon & Schuster
- St. Clair, Janet, "Leslie Marmon Silko: A Collection of Critical Essays", pp.207~221 (1999), U of New Mexico P
- Waters, Anita M., "Conspiracy Theories as Ethnosociologies: Explanation and Intention in African American Political Culture", Journal of Black Studies, 28(1), pp.112~125 (1997)
