니트웨어의 입체적 조형에 관한 연구

Abstract

This research is on the three-dimensional modeling of knitwear and the results are as the following. Regarding designs which applied dots, such designs were classified into the color effect dot form and the handicraft form of crochet stitch or knitting needle stitch. Regarding designs that applied lines, stripes patterns were most frequent and consisted of designs which expressed in uneven and geometric patterns and in lines which revived the texture characteristics. Regarding designs which applied sides, these designs consisted of ones which expressed the color and texture of each side through the Intasha method form and designs which reflected three dimensional visual effects by gradually arranging a quadrangle. Designs which applied an ellipse or circle consist of ones which were formed through the knitting needle’s gathering stitch method and ones which produced a three dimensional form circle by inserting a thread into the beads. Radical tendencies of abstract clothes which formed a silhouette were noticeable in designs which applied cylinders. Furthermore, artistic value stood out and aesthetic pieces which had avant-garde or vintage concepts with strong visual effects rather than practical or active functions were more prominent. In designs which applied square pillars, the spatiality and variable shape of the square pillars were uniformly reflected to show three dimension effects. From all of the basic geometric forms, it is structurally the most secure form of figure design. The design which applied a triangular pillar was expressed by arranging and gathering the direction of the triangular form into one place. By showing the 7 creative structures which applied the formative knit structure of three dimensional form and two dimensional form, different material for each knit and different silhouette were matched to the above figures as an example to understand the aesthetic value of figures.