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이자벨 버그룬드(Isabel Berglund)의 니트 작품에 나타난 개념미술의 특징 연구

A Study on the Characteristics of Conceptual Art Shown in the Knitted Works of Isabel Berglund

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초록

This study is aimed at analyzing the works of Isabel Berglund, a concept-centered designer receiving much attention lately in the fashion industry, who continues to pursue new areas in her works by utilizing knitting among the design elements of clothing. In this study, the expression characteristics of conceptual art that centers around thoughts and ideas were analyzed by applying to the works of knit fashion designer Isabel Berglund. It shows broad expressive characteristics without being bound to spatial limitations or shape in terms of artistic expression by providing experiences of unique spaces in widening the scope of the generally regarded knitted material. Diverse knitting techniques were utilized as ways of freely expressing artistic sensibility through the artist’s ideas in deviation from the concept of outer shape or completion of knitted works, as well as expressing the significance of works pursued by the designer. In addition, the works of Isabel Berglund has a unique meaning in the relationship between the knit fashion and space, and attempts new possibilities so that the characteristics shown in knit fashion could be experienced in relation to the environment.

Abstract

This study is aimed at analyzing the works of Isabel Berglund, a concept-centered designer receiving much attention lately in the fashion industry, who continues to pursue new areas in her works by utilizing knitting among the design elements of clothing. In this study, the expression characteristics of conceptual art that centers around thoughts and ideas were analyzed by applying to the works of knit fashion designer Isabel Berglund. It shows broad expressive characteristics without being bound to spatial limitations or shape in terms of artistic expression by providing experiences of unique spaces in widening the scope of the generally regarded knitted material. Diverse knitting techniques were utilized as ways of freely expressing artistic sensibility through the artist’s ideas in deviation from the concept of outer shape or completion of knitted works, as well as expressing the significance of works pursued by the designer. In addition, the works of Isabel Berglund has a unique meaning in the relationship between the knit fashion and space, and attempts new possibilities so that the characteristics shown in knit fashion could be experienced in relation to the environment.

참고문헌 (15)

  1. Wood, Paul, "Conceptual Art : Movement in Modern Art", pp.6~ (2002), D.G.E.
  2. 국립현대 미술관, "개념미술 디지털 자료", 국립현대미술관 교육문화과, 8~15 (2009)
  3. 캐롤 스트릭랜드, "클릭, 서양미술사-동굴벽화에서 개념미술까지", pp.312~ (2010), 예경
  4. Tony Godfrey, "Conceptual Art" (2002), 한길아트
  5. 김민성, "개념미술(Conceptual Art)에 있어서 표현매체의 다원성에 관한 연구", 석사, 회화학과, pp.2013
  6. 김인성, "개념미술의 방법적 특성을 통해 본 개념적 그래픽디자인에 관한 연구", 기초조형학연구, 6(1), pp.59~69 (2005), 한국기초조형학회
  7. 권자영, "컨셉추얼 패션에 관한 연구", 박사, 의상디자인, pp.2008
  8. 김민성, "개념미술(Conceptual Art)에 있어서 표현매체의 다원성에 관한 연구", 석사, 회화학과, pp.2013
  9. 이연희, "개념미술의 표현매체와 유형별 작품연구", 석사, 미술교육, pp.2009
  10. 조정미, "개념미술에서 의상의 역할", 한국의류학회지, 35(7), pp.828~840 (2011), 한국의류학회
  11. 김로운, "패션 디자인에 나타난 개념미술의 표현적 특성 : 후세인 샬라얀(Hussein Chalayan)과 마틴 마르지엘라(Martin Margiela)의 작품을 중심으로", 석사, 패션학전공, pp.2012
  12. 송민자, "개념미술에 나타난 모티브의 공간적 적용에 관한 연구", 석사, 공간디자인학, pp.2007
  13. 김로운, "패션디자인에 나타난 개념미술의 표현적 특성 - 후세인 샬라얀(Hussein Chalayan)과 마틴 마르지엘라(Martin Margiela)의 작품을 중심으로 -", 복식, 63(2), pp.55~67 (2013), 한국복식학회[DOI]
  14. 양은희, "개념미술", pp.5~ (2007), JRM
  15. Sabrina Gschwandtner, "KnitKnit: Profiles + Projects from Knitting's New Wave", pp.26~ (2007), HYA

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